Viewing entries tagged
sony artisan of imagery

Should Photographers Pay Money to Strangers when Doing Street Photography?  From the Streets of Ethiopia by Jason Lanier

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Should Photographers Pay Money to Strangers when Doing Street Photography? From the Streets of Ethiopia by Jason Lanier

Join me for my first experience on the streets of Addis Ababa, Ethiopia where I take on the question of whether or not photographers should compensate strangers when we’re taking their pictures as part of street photography or photojournalism.

Now, this is a complex question. You have to ask yourself:

  • Is it offensive to offer money to people when you take their picture?

  • Is it offensive when you don’t?

  • Is it messing up the natural flow of a shoot and what’s occurring when/if you offer money?

This shoot was done back in August, 2014 when I had first delved into the world of shooting Sony. All of these images were taken with the first Sony I ever purchased, the A6000.

I have to admit it was quite challenging to tackle this issue for myself. I was used to shooting weddings, portraits, landscapes and most things that photographer shoot. I had done work on local streets of the United States but never something to the magnitude of Ethiopia.

To find out how I handled it all and what I ended up doing, please watch the video that I made from this shoot.

To see the images from this shoot please check them out below:

The images in this video were taken using the Sony A6000 with the E mount 50mm f/1.8 lens and the 16mm f/2.8 lens.

As this is a touchy subject that many photographers need to answer, my attempt with this video is to show how I handled the situation so hopefully it helps others out there to determine what they would do if they were in a similar situation.

We thank you for watching and invite you to stick around and watch a few more while you're here.

A big thanks to the Out of the Ashes Organization for helping to make this trip possible. You can find out more information about them by visiting www.outoftheash.org

Don't forget to click on subscribe and click on NOTIFICATIONS so you're updated every time a new video is released.

Thanks!

Jason

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Shooting the Lightweight Beast- my shoot with the Sony 400mm f/2.8 G Master lens by Jason Lanier

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Shooting the Lightweight Beast- my shoot with the Sony 400mm f/2.8 G Master lens by Jason Lanier

I’m writing this blog in the early parts of December 2018. But once upon a time back in August of 2018, it was still VERY HOT. My Assistant Emily and I found ourselves in the middle of NOWHERE on the side of the road in Arizona. The temperature gauge inside of the car was telling us it was 115 degrees and boiling hot…but I digress.

Sony was gracious enough to lend me the 400mm f/2.8 lens for a few days for me to go out and test this thing. I already own the Canon 400mm f/2.8 so being able to play with this lens was a treat.

Questions abounded:

*If I already own a 400mm f/2.8, do I REALLY need to spend the amount of money as I would on a good used car to buy this lens?

*Is it really THAT much better than my Canon lens? I mean, this thing ain’t cheap.

So while driving down the road heading back to a cooler California, we saw this abandoned gas station and of course we HAD to go and shoot at it.

The first challenge was COMMUNICATION. I mean let’s face it, the 400mm wasn’t necessarily meant for doing portraits. BUT, I wanted a challenge rather than do the typical thing that most people do with this lens.

**Performance- From a performance perspective this lens hit all of the checkboxes. It focuses very sharp and very fast, has all the bells and whistles that you’d want on a premium lens and it is LIGHT! We weighed this thing and it was pretty much HALF of the weight of my Canon 400mm f/2.8. Why does that matter? Well, it actually makes the Sony 400mm f/2.8 the first lens in that range that can actually be used for handheld purposes. Why would you want to do that? Simple. It would be for the ability to be able to quickly change and shoot in areas like safari wildlife and sports. Having done both professionally in the NFL and in South Africa, I can attest to the fact that wielding a heavy lens and having to maneuver a monopod or tripod can mean missing some crucial shots.

Below are the images taken with the lens using the Sony A7Riii. The first three shots are with flash. The rest are without. If you’d like to see and know why check out the video above where the light takes a big FALL.

**VALUE- let’s not beat around the bush. This lens is EXPENSIVE. While it’s in the same stratosphere as it’s Nikon and Canon equivalents…all of these lenses are for the super pro who has a very particular need. So for pro wildlife and sports photographers who make their money shooting with the very best lenses this is a must have. For the average person out there the Sony 100-400 G Master is a great lens that is more versatile. The shots aren’t as special as they are coming out of the 400mm f/2.8, but they are very nice and the lens is about 25% the cost of the 400mm f/2.8. The other advantage of the 100-400mm is it is much more versatile for wider images which I did find very useful when I used it on safari in Kruger National Park in South Africa in July of this year.

A BIG thank you to Emily for braving the insane heat and giving me yet another epic performance. She is the BEST in every sense of the word. To follow her please visit www.instagram.com/em.explores today.

Please take a moment to let us know what you think by dropping a comment down below. Don’t forget to click on SUBSCRIBE AND NOTIFICATIONS so you’re updated every time we release a new video on Youtube. You can find our channel now by visiting www.youtube.com/jasonlanierpros. Please let me know what questions you have. If you have the money, this lens is phenomenal.

Thanks!

Jason

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Jason Lanier Working with Sony, Rotolight and Jessops Camera in epic 2 week trip by Jason Lanier

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Jason Lanier Working with Sony, Rotolight and Jessops Camera in epic 2 week trip by Jason Lanier

In November 2018 I was blessed with the opportunity to work with three amazing brands, two of whom I’m very familiar with…at some very historic venues no less, the Fitzrovia Chapel, Pinewood Studios, and the amazing Chethams Library in Manchester, UK.

This started a few months ago when I received a call and was asked if I’d be able to fit this event into my schedule….and I was like, “How do I say no to this?”

So I got my Assistant Emily with me on a plane to London following our workshops in Richmond, VA and New York City and we took off to the ever amazing United Kingdom.

Our first stop was an appearance at the Camera World Live Event where I did a speech for Sony and Rotolight called, WYSIWYG- What You See Is What You Get. I get to do a lot of conventions and events and I love them all…but getting to see so many people for some jam packed events was an honor I’ll never forget. We did have a security guard outside of the event tell me I wasn’t allowed to put my elbows on the couch…but that’s for a later conversation lol.

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To check out the second of my two appearances there please click the video below:

Following the appearances at the convention some brave photogs ventured out into the very cold night air of London for a photo walk. We had a beautiful model named Sarah come out for that and we of course had the ever able Emily there as well.

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Following this event Emily and I made a quick pit stop down in Brighton for a fun photo walk on the pier that was a ton of fun! This was great as I’d never been to Brighton before. I’d say the toughest thing about this particular trip was the fact that the jet lag STUNK! Man with so many events the jet lag was tough to shake. Emily threw water on me a few times to get me to wake up. Be careful around here if you’re sleepy, she’ll use a defribillator on you! A big thanks to Darren Fellows for coming down to help with this photo walk as well.

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Following Brighton Emily and I returned back to London to get ready for our Jack the Ripper Shoot! I have to give a lot of credit to Emily for this shoot. Without her efforts it just wouldn’t have happened. You can check out the shoot and video by clicking below:

That was seriously one of the most fun shoots I’ve ever had the privilege to shoot. But we weren’t done there! Rotolight had contracted me for a commercial shoot at the historic Fitzrovia Chapel that we did just a day later. A videography crew called Motion Blurr was hired to document the event. That video will be coming out soon….but in the meantime check out this image of Emily taken at the shoot! This was done with her and a male model named Lawrence and both of them did just great. It was in a chapel and they did play the part of a married couple so…..officially I’ve shot Emily’s wedding lol.

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We ended that shoot and had a tight turnaround because the next morning we were due at the historic Pinewood Studios to give a full days worth of presentations for Sony, Rotolight and Jessops Camera. This was such a fun event where I got to work with so many talented and amazing photographers who were Jessops trainers who came there to learn more about the synergy between Sony cameras and Rotolight LED Lighting. This was a fantastic day to be indoors because the rain and cold were out in full effect that day. Many laughs were shared. And it was such an honor to have so many of the Jessops trainers that were a part of Fedora Nation.

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After that it was a travel day from London to Manchester to get ready for our once in a lifetime event where I got to do workshops for Sony, Rotolight and Jessops at the historic Chethams Library. While the team was prepping for the event I was able to grab a few moments on the piano which was so exhilarating for me. Being able to play a grand Yamaha piano at such a historic place was something I’ll never forget, and I’m so grateful that my Assistant Emily was able to capture this moment with her phone:

Following that we did an event for two separate groups of photographers who came to learn about Sony and Rotolight, again working with the amazing folks from Jessops. It’s such a pleasure to be able to present for multiple sponsors when the products tie together so well.

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This was a truly historic and fun event to do. I mean, how many photographers get to shoot in a library from the 1600’s that also has had scenes from Harry Potter shot there? Wow, what a blessing! We had some vintage clothing for all of the models. During the breaks between the two sessions I was able to quickly do some private shoots with the new Sony 24mm G Master with both Emily (my amazing muse) and another awesome model named Victoria.

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Following the event at Chethams we went out with a few brave souls that were willing to go out into the cold for one last Photo Walk. This was quite a way to end the 2 week trek as we braved not only the cold…but also some drunk dudes, some unruly minors who liked to smoke, and some fans who wanted to say hello. But luckily the group was lively and we had a phenomenal time.

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I can’t thank everyone enough for making this all possible. Emily was a tremendous help on this trip that was the longest of my career (because it was also tacked onto stops in New York City and Richmond before we even came to the UK). It wouldn’t have been nearly as successful as it was without her.

A big thanks to my sponsors Sony, Rotolight and Jessops. Sponsors can be such a tremendous support and help to open up doors. A super big thanks to my man Rod Gammons. He’s a real friend. Mark Baber, you know I love you! And last but not least my family at home. I couldn’t do it without the support of my wife and boys. I love you guys so much!!

Here are the production BTS shots from my time at Chethams Library. Thanks to Rotolight and Sony for taking these. Also stay on the lookout for more videos to come from these events.

I can’t wait to work with all of them again. Next up is speaking for Rotolight and Sony at the Profusion Convention in Canada!

Thanks for reading…:)

Jason

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My First Shoot Ever using the Sony A7Riii- shooting in Raw at a Penthouse in NYC

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My First Shoot Ever using the Sony A7Riii- shooting in Raw at a Penthouse in NYC

In late October 2017 Sony announced a camera that should be a big seller for them, the Sony A7Riii.  The predecessor to the A7Riii, was the A7Rii, a very popular and widely acclaimed camera.

While in town in New York City for the PhotoPlus Expo I was able to get my hands on the new Sony A7Riii with the brand new 24-105mm FE lens that was announced at the same time as the A7Rii and give it a go for a night.  I had my Photographer's Unite Event planned at a Penthouse in Manhattan and I used the opportunity to put on a live shooting demonstration in front of the crowd as they got to witness my first shoot ever with this camera.  Below is a video of the shoot:

But most of you are probably here to see the images that came out of the camera right?  Well, they are posted below.  All of the images were shot in raw, developed using Capture One, and enhanced using Photoshop.  I'll post the images by the lens that was used to capture them.  Settings for all the images are included in the video:

Images captured using the 85mm Sony G Master

Images captured using the Sony Zeiss 35mm f/1.4:

---Gear used for the shoot---

**Sony A7riii-  https://bhpho.to/2ztvVDo

**Sony 24-105 G lens- https://bhpho.to/2zs27qp

**Sony 85mm G Master-  https://bhpho.to/2A2V83D

**Sony 35mm Zeiss-  https://bhpho.to/2zsIUoP

To save money and get FREE shipping on Rotolight products please visit:

**Rotolight Neo- www.jasonlanier.com/rotolight

Below is a link to the models in the video:

*Maddi- www.instagram.com/lalunetta

*Jade- https://www.instagram.com/jade.gallowayy/

*Alyssa-  https://www.instagram.com/aly_182/

I thank you for watching and invite you to stick around and watch a few more while you're here. We have plenty more videos coming with the Sony A7Riii and will also devote an entire playlist to that camera, so make sure to check that out as well.

Don't forget to click on subscribe and notifications on my Youtube Channel www.youtube.com/jasonlanierpros so you're updated every time a new video is released.  Thanks for being here!!!

Jason

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The Shoot between Jason Lanier and Ken Wheeler the Angry Photographer using the Sony A9 and the Fuji GFX

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The Shoot between Jason Lanier and Ken Wheeler the Angry Photographer using the Sony A9 and the Fuji GFX

I gotta admit, this is a blog post I never thought I'd write.  I never thought I'd make two videos out of the experience, and I really didn't think any of this would come together....but I always hoped it would.

When I switched from Nikon to Sony it angered a good amount of people out there.  My chief and most vocal critic on the matter was Ken Wheeler, the Angry Photographer as he's known on Youtube.  You can go back and search for all the videos related to this subject that have been created over the last two years, but suffice it to say that me getting Ken to agree to shoot was not something many people out there saw happening.

I reached out to Ken while I was on the East Coast teaching workshops in Washington, DC and West Virginia.  Ken lives in Lexington, Kentucky so getting down to see him from West Virginia was feasible.  It required about $1000 in expenses, but I felt the opportunity was worth it to meet the man face to face that has railed against me and Sony for years now.

When I reached out to Ken he was very hospitable.  He accepted my offer to come down there and meet and seemed pretty excited about the prospect as well.  We agreed to meet at his local camera store in town called Murphy's Camera.  Don Baker and the team there were very welcoming and allowed us to shoot our first video together in the store.  This was filmed with no crew.  I set up 3 cameras on tripods and filmed it in 4K using the A9, A7Rii, and the A7Sii.  I felt that having no crew there would make Ken feel more comfortable since he wasn't using to having a crew watching him like I am.  Take a look below to view this initial conversation between the two of us:

This first meeting between us caught a lot of people off guard, most importantly some of our followers.  They really didn't see this meeting coming and were surprised we made it happen. The overall response however was very favorable.  Ken and I grabbed some dinner that night and then agreed to go out shooting together the following day.

We met up again at Murphy's Camera but this time we had a model and two volunteer assistants with us as well.  The two assistants are followers of mine who were local in the Kentucky area and agreed to come down and help out.  They aren't trained videographers but nevertheless they agreed to film Ken and I during out shoot.  You guys gotta understand, this all happened SO FAST.

I called up Ken a day before I was scheduled to leave West Virginia and then a day later I was in Kentucky.  There was no time to bring my crew that I normally travel with to this event.  The model that I had with me in West Virginia needed to go home, and my permanent videographer Jason Coccio was enjoying time off to attend a wedding in California.  So we made the best of it.

I was contacted by a local model named Tiffany Williamson who lived Knoxville, Tennessee and she agreed to come out for the shoot.  You can follow her at www.instagram.com/spacekittyxd. We agreed to terms and she then made the trip out to Kentucky for the shoot.

We left Murphy's Camera and went to the Kentucky Horse Park which is just gorgeous.  Below is the video created from our shoot together:

The video and the shoot are not intended to be a shootout, but rather a mutual shoot where we shared a great day together.  I think my favorite part was watching Ken get in trouble with the cops lol.  He really was initiated into my lifestyle as that always seems to happen to me as well.  Please take a few minutes to watch the video and you'll see two former rivals share a great day together.  Below are the images that we took at the Kentucky Horse Park:

For the shoot I used the Sony A9 with the 70-200 f/2.8 Sony G Master, using natural light only. Below are the images from the shoot:

Below are the images taken by Ken.  He used the Fuji GFX using flash and natural lighting:

For what it's worth, I'd encourage anyone watching this to focus on the coming together that this event facilitated vs. any rivalry that used to exist.  It took courage for Ken to agree to meet and to come out and shoot with me knowing the world would see everything we did.  I applaud him for these efforts and thank him for acting like a gentleman during our time together.

Thank you Ken.

Maybe more in the photography industry can do the same to come together.....:)

Thanks!

Jason

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Sony A9 vs. the Sony A7Rii Landscape Shoot Resolution Challenge by Jason Lanier

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Sony A9 vs. the Sony A7Rii Landscape Shoot Resolution Challenge by Jason Lanier

So many people know I absolutely LOVE my Sony A7Rii.  It's been my go to camera for the past 2 years and I absolutely love the beast.  When Sony came out with the A9, I was one of the first photographers to be able to play with the camera.  Given it's speed and many features, I pegged it as the ultimate sports and wedding photography camera in the Sony lineup.  And I assumed I'd continue to use my A7Rii for landscape, architecture and portraits.

But just to make sure, I decided to do a quick little shootout comparison of the two cameras while at Crater Lake National Park in Oregon.  I was there during a family vacation and that place is just breath taking.  Being that I was just there with the family and had no film crew etc. I had to make sure with filming a video using just a monopod and my ThinkTank backpack...and the use of my trusty son Michael as an Assistant.

I did the shoot using two different lenses.  The Sony Zeiss 16-35 f/4 and the Sony G Master f/2.8 70-200mm.  Both are favorite lenses of mine and I thought they'd give the viewers a good variety of shots and focal lengths to look at.  I also did some cropping in on both images to show how both cameras render an image when zoomed WAY IN!

I won't render a final judgment here.  Why?  I don't want to sway opinions too much....:) . I'll just let the results speak for themselves and let you guys decide what you want to do.  I'll just say the results surprised me, and I'll be more comfortable in just taking the A9 everywhere with me than I would've been before doing the test...the resulting images from the shoot are below:

Sony A7Rii

Images are as follows: 16mm, 16mm, 35mm, 70mm, 100mm, 200mm

Sony A9

Images are as follows: 16mm, 16mm, 35mm, 70mm, 100mm, 200mm

Here are the crop comparisons as shown in the video

*16mm SUPER cropped in:  A7Rii on left, A9 on the right

*35mm Cropped in- A7Rii on the left, A9 on the right

*70mm Cropped in- A7Rii on the left, A9 on the right

*100mm Cropped in- A7Rii on the left, A9 on the right

*200mm Cropped in- A7Rii on the left, A9 on the right

I thank you for taking the time to visit my blog and watch my videos.  I appreciate every single person who takes the time to give me a read or a view.  Thanks guys!  I hope this helps...:)

Jason

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Portraits of a Cuban Tobacco Farmer using the Sony FE 100mm STF and 70-200mm G Master Lenses by Jason Lanier

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Portraits of a Cuban Tobacco Farmer using the Sony FE 100mm STF and 70-200mm G Master Lenses by Jason Lanier

Recently I had the opportunity to visit Cuba for the first time.  Like many folks from the United States I was very excited to do so since it has been closed off for visiting for the last 60 years. One of the main things I wanted to do was to visit some traditional Tobacco Farms.  It isn't because I'm a smoker, because I'm not.  It's because Cuba is world famous for their Tobacco and I just had to visit the farms that create this product that is coveted the world over.

So my Assistant Brenda and I ventured into the beautiful countryside of Vinales on horseback where we found some beautiful people and locations to shoot.  I really recommend watching the video above to get a real feel for the shoot.  I also did a voice over in the video to explain everything going on and why I decided to use what lenses.

Below are the images taken during the shoot and I'm separating them by the lens used.  Both sets of images were taken with the lenses shooting wide open at 100 ISO with the Sony A7Rii.

Images taken with the 70-200 G Master Lens

Images taken using the Sony FE 100mm STF lens

***Links to Gear***

*Sony A7Rii-  

*Sony 70-200 G Master-  

*Sony 100mm STF G Master-  

I really hope you enjoy the video and this complementary blog post.  I invite you guys to subscribe to both my Youtube Channel and my blog and thank you for visiting today.

Adios!

Jason

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CHEAP Lens Challenge- Shooting the Sony FE 50mm with the Sony A6500 in a train

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CHEAP Lens Challenge- Shooting the Sony FE 50mm with the Sony A6500 in a train

I'm blessed....I'll admit it.  I work hard for what I've achieved, but I'm very grateful and humbled that I get to shoot with some of the best lenses in the world.  I've shot with Zeiss, Sony G Master, Sony Zeiss and many more.  I've also shot with nearly all of the Canon L lenses and many Nikon lenses to boot.

So one comment and/or request that I get quite frequently is, "Can you do some videos or shoots with some cheap stuff that the rest of us can afford?  We love seeing your shoots but I'll never be able to afford that stuff."

Fair enough.

I remember the days of saving up income for good amounts of time to be able to afford gear.  I REALLY DO.  Those days aren't too far in my past.  So I decided to start adding (yes I bought them), some cheaper lens options into my gear arsenal so I can represent and reflect all of the photographers that follow my work and my Youtube Channel.

So recently I did a shoot using the Sony FE 50mm with the Sony A6500 inside of an old train. The shoot was quick as we had only 15 minutes to complete it.  I think that's a good thing because it shows you what was able to be created without an elaborate setup or time that could honestly make the lens look better than it is.

**Links to Gear:

*A6500-  

*50mm FE lens-  

*DJI Osmo-  

*Westcott Rapid Box XL-  

If you haven't already please take a moment to check out the video that we rolled that will show the focus tests, the shots using natural and artificial light and more.  The video explains much more than I can properly articulate here in a blog post, so I kindly invite you to watch it now.  

For those who have already watched it you'll know that for $200, I think it's a pretty sweet little lens that is a welcome budget friendly addition to the Sony mirrorless lens lineup.  Below are the shots taken at the shoot.  All of them have been edited using Lightroom and Photoshop.  I hope you enjoy...:)

 

The model is the beautiful Cassandra Caballero.  Please let me know what questions you have...and thank you for watching!!

Jason

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Sony FE 100mm STF Auto Focus lens- my rain shoot at Balboa Park in San Diego

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Sony FE 100mm STF Auto Focus lens- my rain shoot at Balboa Park in San Diego

Recently I had the opportunity to borrow the Sony FE 100mm STF lens from Sony to test out.  My followers asked me to not only shoot it on my A7Rii as is typically the case for me, but to also shoot it on some lower cost Sony mirrorless bodies that my followers can more easily afford.

So we went down to Balboa Park in San Diego and it POURED rain.  I put the 100mm STF on my Sony A7ii and commenced to do a shoot where I illuminated the model in the rain by using the Flashpoint Xplor 600 as my backlight and the Rotolight Anova Pro as my key light with a 2 Stop Diffuser by Westcott called the Illuminator.

I gotta say I was very impressed with the lens.  My full write and recommendation will be in a following post and video, but I wasn't disappointed by this lens at all.  It has an F stop of 2.8 and a T stop of 5.6.  It was very sharp, it found focus very quickly and it was a challenging condition to shoot in.

As you'll see in the video it held up just fine with some rain getting on it and didn't give me any issues at all.  Towards the end of the shoot I really started to test the STF Smooth Trans Focus elements of the lens.  It's pretty amazing how that lens can turn virtually any light source into a gorgeous Bokeh ball.  I can't wait to do more testing on that.

Below are some of the images taken during the shoot.  These were all shot wide open at the aperture of f/2.8 but the t stop value of 5.6.  ISO range was anywhere from 2,000 or higher with a shutter speed at 1/60 sec.  I think this lens is a keeper....but more on that in my full review.  I have more shoots to do with it but just wanted to share this one on the A7ii.  I hope it also helps people out there that I did it with a more affordable camera body like the A7ii.

Thanks!

Jason

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Salvation Mountain-  My First Shoot with the Sony FE 85mm f/1.8 on the Sony A6500

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Salvation Mountain- My First Shoot with the Sony FE 85mm f/1.8 on the Sony A6500

So thanks to the kindness of Sony, I was able to borrow the Sony FE 85mm f/1.8 lens prior to it being released to the public.  So I asked my followers what they wanted me to do with the lens and one of the most frequent requests was that I slap that puppy on my A6500 and show the world what the images looked like.

So I booked my crew and a model and we headed out into the middle of nowhere....literally.  We went out to Salvation Mountain which is somewhere between Mexico and Palm Springs out in Niland, California.  It is a CRAZY place!!

We did a number of shoots earlier in the day and as the sun was getting close to setting I threw the lens on my A6500 and did a quick shoot.  I wanted the shoot to be something similar to the time frame I'd have when shooting for 10-15 minutes at a wedding...like the couple shoot after the ceremony just to show people what can be done in a short amount of time.

Lighting wasn't necessarily optimal, but I wanted to show what could be done in less than ideal situations.  I used the Flashpoint Xplor 600 monolight with the Westcott Rapid Box XXL as a modifier.  Below are some of the shots from the shoot.  All of the images taken were shot wide open at f/1.8.

We hope you enjoy the shoot.  Please let us know what you think and what questions you have. We certainly have high hopes for this lens and the performance of it paired with this camera is quite a combination!!

**Links to Gear:

*Sony A6500-  

*Sony 85mm f/1.8 lens-  

Thanks!

Jason

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Inauguration Day Riots, Fake News, Burning Cars and more for Donald Trump's Inauguration

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Inauguration Day Riots, Fake News, Burning Cars and more for Donald Trump's Inauguration

Well, inauguration day 2017 was one for the record books.  Truly an unforgettable experience.  I've been able to shoot a lot of interesting and exciting things in my career but I've never been able to shoot riots following an inauguration.  Check out the video below to see exactly what went down!

Below are some of the shots taken during the riots and protests that followed the inaugural address and went into the evening on the streets of Washington DC.  I've separated them by the lens used for my photographers out there who are wondering what I captured them with.  All images were taken with the Sony A7Rii.

These images were taken with the 16-35 Sony Zeiss lens

These images were taken with the 24-70 G Master lens

These images were taken with the 70-200 G Master lens

These images were taken with the 85mm G Master lens

I thank you for visiting my blog and invite you to subscribe!!

Thanks,

Jason

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Snow Queen- studio shoot using the Broncolor MobiLED, Rotolight Neo and the Westcott Eyelighter

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Snow Queen- studio shoot using the Broncolor MobiLED, Rotolight Neo and the Westcott Eyelighter

Last week I had the opportunity to visit the Home Studio of Swng Productions in Austin, Texas while I was in town for the Imaging USA conference for PPA being held in San Antonio just an hour south of Austin.

The shoot wasn't planned at all.  The awesome guys over at Swng Productions follow me online and invited me to the studio to shoot.  As such we quickly put together a shoot calling upon models that we could find in about 3 hours notice.

We found the lovely Ashlyn Simon to be my model.  When she arrived I did what I normally do with my models and had her show me the wardrobe options she had available to her.  She showed me a fur coat that she had with her and we decided to shoot with it and a pair of shiny pants.

I started posing her and once I told her to put her arms up above her head I saw what I wanted to create....a Snow Queen shoot.  When she raised her arms above her head it gave her the appearance of wearing a headdress that was really neat.

So we set up the two Broncolor MobiLED lights with the Rotolight Neo and Westcott Eyelighter to create some truly unique images.  Since it was a studio shoot I knew I'd have to add some Photoshop magic to it to create my overall look.  Normally I'm an outdoor shooter and love using the location as my backdrop, but having the studio meant I had to create it in post.

Below are the shots taken during the shoot.  I also included samples of the same shot:

*Straight out of the camera

*Developed in Lightroom

*Edited in Photoshop

*Enhanced and Finished in Photoshop

Below are the other shots taken during the shoot edited and finished in Photoshop:

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Groom Getting Ready and Groom Portraits at a REAL Indian Wedding Workshop

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Groom Getting Ready and Groom Portraits at a REAL Indian Wedding Workshop

Many times so much emphasis at a wedding is placed upon the Bride.  While the Bride is certainly an extremely important person, we of course can't forget the groom right?  This shoot comes from my REAL Indian Wedding Workshop in Cherryhill, New Jersey with Akshar and Arti Patel.  In case you haven't seen Part 1 which includes my images taken of the bride Arti, you can find a link to them by clicking below:

http://www.jasonlanier.com/blog/real-indian-wedding-workshop-bride-getting-ready-at-the-crowne-plaza-cherry-hill-new-jersey

We went into the Groom's room and took the following shots that are included in the video as shown above.  It's important to capture the groom in a dignified and flattering manner which you can do by blending a style of photojournalism with light yet deliberate posing methods.  In other words, direct the shoot but don't overly pose the shoot.  Below are images taken of the Getting Ready portion:

After the getting ready portion we prepared for the First Look.  While waiting for the bride to arrive for the shoot I took a few minutes and did some groom portraits with Akshar as well.  All of these images were taken with lighting from the Rotolight Neo.  Below are the portraits of the groom taken at the ceremony site:

 

**Links to Gear:

*Sony A7Rii-  

*Sony 85mm G Master-  

*Sony Zeiss 35mm-  

*Rotolight Neo-  

Don't forget to subscribe to my Youtube Channel and my blog to get updated whenever we release new content!

Thanks,

Jason

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Real Indian Wedding Workshop- Bride Getting Ready at the Crowne Plaza Cherry Hill, New Jersey

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Real Indian Wedding Workshop- Bride Getting Ready at the Crowne Plaza Cherry Hill, New Jersey

For those that don't know, I've been doing REAL wedding workshops for years as a means to help photographers out there gain experience at great venues with wonderful clients.  In July of 2016 I had the opportunity to do a real indian wedding and hold a workshop at the wedding.

 

Why would clients agree to let me hold a workshop (where I bring photographers to shoot the wedding)?  The way the real wedding workshops work is that I give a discount to a wedding client in exchange for them allowing me to bring photographers along to shoot the wedding.

The photographers are allowed to use the images for their portfolio which is a huge boon for them to be able to bolster their portfolio at a great wedding that most of them would otherwise not be in a position to shoot.

The photographers have to obey rules set forth that makes sure the wedding goes off without a hitch including the way they act, the clothes they wear, even going as far as where they can stand during the wedding.  So far it's been a win-win as both the wedding clients and workshop attendees have benefited from the experience.

So I had a beautiful wedding couple to shoot, Akshar and Arti.  We first went to the bride's room where we did a shoot of Arti in her beautiful gown.  She is just one of the most stunning bride's I've ever been able to shoot.  The shots below were taken with the Sony A7Rii using the 16-35, 85mm G Master and the 35mm Sony Zeiss lens using the Rotolight Neo.

 

**Links to Gear:

*Sony A7Rii-  

*Sony 85mm G Master-  

*Sony Zeiss 35mm-  

*Sony 16-35mm Zeiss lens-  

*Rotolight Neo-  

Thanks and don't forget to subscribe to my blog!!

Jason

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How I Pose and Shoot Men- a Groom Shoot in the Maui Rainforest in Hawaii

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How I Pose and Shoot Men- a Groom Shoot in the Maui Rainforest in Hawaii

On my Youtube Channel I'm known for taking pics of lots of pretty women around the world. What some may not realize is before my Youtube and commercial work days I shot hundreds of weddings in many places which meant that I had to of course, shoot men.

Now this isn't a bad thing.  Shooting men is quite a bit of fun and is actually a completely different dynamic than when I shoot women.  I remember when I shot weddings I would go into the bridal room and more often than not the feel and vibe of the shoot was a romantic, fairy tale type of a shoot.  Everything seemed to be very poetic and magical.

**Don't forget to subscribe to my blog and Youtube Channel...:)

Then I would head over to the Groom's Room.  That was a different story.  Typically the groom's room involved a bit of alcohol consumption by the groom and his friends which lead to some pretty fun and crazy shoots.  In other words, I had to learn to shoot differently based upon shooting a bride vs. shooting a groom.

Many times (unless you're a male model), men don't particularly love having their picture taken. It's always one of those types of scenarios where men just "want to get the shoot over with." I learned over the years that using humor was a great way to get the groom to relax and actually get into the shoot.  Once I got their buy in, the shoot turned into something magical.  

Now I'm using generalities here and there are always exceptions.  Women and brides can certainly be wild and very funny and men can certainly be romantic and elegant.  But in the hundreds of weddings I've shot I've found my descriptions of both to be what I encounter the majority of the time.  Best piece of advice, learn who your clients are and adjust to their personality and needs.

So that leads us to this shoot.  This was a bride and groom out in Hawaii for their honeymoon. They found out I was in Hawaii on vacation and made arrangements with me to do a shoot of them in their wedding attire while out there.  This was very unique timing as it was their first day of their honeymoon, and my last day of vacation with my family.  So they were eager to get their honeymoon started and I was eager to get packed up and head to the airport.

I first spoke with the bride Karolina and when we spoke about doing the shoot she was very excited.  Her husband Ray was happy to do the shoot, but just didn't want it to go very long.  He was more than cooperative but like many grooms just "wanted to get it over with." Understanding this dynamic I persuaded the couple that there was this amazing rainforest that could produce some really gorgeous images.

So we drove down there to shoot.  I started setting up my gear and my friend Chris Millen agreed to come along to help roll video.  Thanks Chris!  I didn't have any assistants or crew since I was just there on vacation.  So I set up my gear and started shooting.  But the important thing was that I started shooting the groom (Ray) first.  I wanted and needed him engaged in the shoot.  I wanted him to feel good about taking the time to do the shoot and to feel good about himself.

We started joking around while shooting and before we knew it we were having a really fun banter back and forth which lead to some really great sets of images.  If you can get a groom to laugh and get him to feel good about himself, you can create some fantastic images.  Ray's wife is a model.  So you can imagine that might make anyone feel a little intimidated.  He probably assumed that a photographer would only be interested in shooting her.

By starting with him, by showing him that I really wanted to create something amazing with him, it really builds confidence which lead to a fantastic shoot.  At one point he teased his wife Karolina telling her that she was jealous I was spending so much time with him lol.

The bottom line is that if you take the time to show a man that their time is valuable and that you are invested in shooting them, the rewards can be great.  I highly recommend you watch the video to see the posing and techniques used to create the images below.  

Images taken with the Sony A7Rii and the 35mm Sony Zeiss f/1.4

Images taken using the Sony A7Rii with the 85mm G Master f/1.4

**Links to Gear Used:

*Sony A7Rii-  

*Sony Zeiss 35mm-  

*Sony 85mm G Master-  

*Flashpoint Xplor 600-  

*Westcott Rapid Box XL-  

*Feisol Monopod-  

I hope this helps and that it gives you some insight on how I shoot male subjects in general.  In essence if you do it right, it's an absolute blast that can give you some stellar results...

Thanks!

Jason

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Using the Sigma MC-11 Adapter with Sigma and Canon Lenses

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Using the Sigma MC-11 Adapter with Sigma and Canon Lenses

I get lots of questions about the adapted lenses that I use.  Should I use the Sigma MC-11 Adapter or the Metabones Adapter?  Well recently I had the opportunity to shoot with the MC-11 Adapter during my commercial shoot for Mia Bella Couture.  

First I used the 20mm f/1.4 Art lens that I was really excited to try.  It's the fastest aperture wide angle lens on the market that also does Auto Focus.  It's a canon mount lens made by Sigma and I have to say...it is truly a nice lens.  Very sharp and when paired with the MC-11 Adapter it behaves as close to a native Sony FE lens that you will find.  Below are some of the shots taken with the 20mm Art lens on my Sony A7Rii.  All shots were taken at f/1.4:

I then wanted to get some shots a little bit tighter so I put the 85mm Canon L lens on it and shot it wide open at f/1.2.  The adapter performed at the same level as the Metabones adapter which was really nice to see.  Below are shots taken with the 85mm:

The sun was close to being all the way set so I quickly put on the 200mm Canon L lens which also performed very well.  These were all taken at f/2.8:

All in all it was a great shoot and the MC11 performed very well.  Please take a moment to check out the video to see how the shoot went.  Flash was the Flashpoint Xplor600 with the Westcott Rapid Box XL as the modifier.  For links to the gear that was used please see below:

*Sony A7Rii-  

*Sigma MC11 Adapter-  

*Sigma 20mm f/1.4 lens-  

*Canon 85mm f/1.2 lens-  

*Canon 200mm f/2.8 lens-  

*Flashpoint Xplor600 monolight-  

*Westcott Rapid Box XL-  

Thank you for taking the time to visit my blog.  I truly hope the information is useful.  Please click on subscribe so you're notified everytime we have a new blog post...:)

Thanks!

Jason

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Wedding Bridals in Balboa Park

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Wedding Bridals in Balboa Park

So in my career I've shot 250+ weddings all over the world.  In recent years my wedding workload has diminished quite a bit due to picking up commercial work along with my teaching and speaking schedule.  But when I got the opportunity to do a commercial shoot with Mia Bella Couture shooting wedding gowns, it took me right back to my roots as a wedding photographer.

We went down to Balboa Park in San Diego which is an absolutely beautiful location.  Using a reflector and the Flashpoint Xplor 600 I started shooting with my Sony A7Rii and the Canon 200mm f/2.8.

My mail goal with this shoot was to create a very light, bright, romantic type of a shoot.  The model was Daryl Rene and she did a truly fantastic job in helping me create these shots.  The mood of the shoot was created by the combination of using the off camera flash with a beauty dish on it (the Westcott Rapid Box XL) and the reflector on the other side.  It should be noted that this shoot took place at around 1pm on a day where the lighting was very harsh, so controlling the light by overpowering the sun was crucial.

Below are some of the shots created by using this lighting set up under a row or lattice work and columns in Balboa Park;

We then tried something new and I fired the Flashpoint through the Scrim Jim just to see what effect it would give.  The thought was in essence to create a giant outdoor softbox.  I thought the shots came out pretty cool and created some very soft light.  You can see these shots below:

It was a really great shoot and I hope you take a moment to watch the video as well so you can see how these were created.  A big thanks to Mia Bella Couture for hiring me to do the commercial shoot.  If you'd like to get in contact with us for wedding or commercial photography please contact me at jason@jlpros.com.

**Links to Gear:

*Sony A7Rii-  

*Metabones Mark 4 Adapter-  

*Canon 200mm f/2.8 lens-  

*Westcott Scrim Jim-  

*Westcott Rapid Box XL-  

*Flashpoint Xplor 600-  

Thanks!

Jason

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First Shoot with RAW files on the Sony A6500 with wild ocean seals in La Jolla, California

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First Shoot with RAW files on the Sony A6500 with wild ocean seals in La Jolla, California

I was very fortunate to be provided a loaner Sony A6500 from Sony for two days in late November.  The news came quick that I'd be able to use it so I called my Assistant Brenda asking her to organize a shoot as quickly as she could.

She organized a group of models and crew to meet down in La Jolla, California which is an absolutely beautiful area.  To be specific we went down to the area called the La Jolla Cove where not only is the coast line beautiful like many areas in Southern California, but you'll also be able to interact with some amazing wildlife.

So we went to set up the shoot on the rocks where the ocean meets the land and while setting up we were visited by an amazing seal.  The amazing creature came right out of the ocean, crawled up onto the rocks and started posing for me.  Now he didn't know he was posing....but he sure did a great job of letting me take his picture.

At the moment when he came up we weren't even fully set up and ready to shoot.  I'd just pulled the A6500 out of the box and had put in a card.  My mic was also not even tucked in but luckily it was on.  I told my videographer Jason Coccio to start rolling the minute I saw him.  So while my plans were to shoot a model for my first set with the A6500, it ended up being a beautiful seal.

Since I was planning on doing a model fashion shoot I had the Sony 85mm G Master on the camera, not a traditional wildlife lens.  But I decided to go with it and shoot the seal in a similar manner to how I'd shoot a model portrait session.  I could have easily stopped down and shot it at f/2,8 or even more narrow, but I accepted the challenge to shoot it wide open at f/1.4.

Navigating around slippery rocks wasn't the easiest thing to do with a loaner camera and a $2,000 portrait lens, but it did result in some pretty awesome shots.  The first thing I noticed was just how FAST the camera focuses.  People say it's the same sensor as the A6300, but all I know is it tracks and finds focus faster....which is saying a lot because the A6300 is already fast. The seal gave me the very unique opportunity to really test the tracking because a seals head moves up and down and side to side like a rocking boat.  It is NOT easy to track.  Luckily the A6500 did a great job of finding and keeping focus.

Below are some shots taken with the A6500 and the 85mm G Master:

I then quickly placed the Sony 90mm macro lens on my camera and tried to get some detail shots of the seal.  Again, focus was achieved very quickly which enabled me to get some great shots.  

Below are shots taken with the Sony A6500 and the 90mm macro lens

So after shooting for about 15 minutes with the seal, it became sick of doing a photoshoot and meandered up the rocks to join the other seals that were there.  It was a great shoot and we quickly moved on from it to shooting with the models.

My initial thoughts from my first shoot with the A6500 was that it performed remarkably well. The buffer in Raw was significantly better than any other Sony camera I've ever used.  The auto focus was faster and it responded well in so many ways.  I even filmed some footage of the seal with the camera and noticed the benefit of having the IBIS on the camera. 

Below are some links to gear if you'd like to add one of these to your gear bag.

*Sony A6500-  

*85mm G Master Lens-  

*90mm macro lens- 

Thanks!

Jason

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Using Manual Focus for Fast Action Shots to get Amazing Results using the Sony A7Rii and Canon 200mm f/1.8

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Using Manual Focus for Fast Action Shots to get Amazing Results using the Sony A7Rii and Canon 200mm f/1.8

San Francisco- so my team and I drove up from So Cal up to the Bay area to do some shooting. We found ourselves at the ruins of the Sutro Baths where the waves crash into the rocks and ruins with some pretty dramatic results.

I had my Sony A7Rii and Canon 200mm f/1.8 lens with me and wanted to see just what we could capture with our model Kyli and the waves coming in.  While I'm used to great auto focus from this combo of camera and lens, I'm also aware of the fact that shooting a solitary object like a model can be difficult to get consistent sharp focus on when things like waves and mist fly in front of her as it did in the shooting scenario we did here.

So using Focus Peaking (which I love by the way), I focused in on the model to get tack sharp focus.  Since my camera and lens were on a tripod, and the model was in a set position, I was able to set the focus and make sure it was on her so no matter what flew in front of her, the focus wouldn't change.

Well the waves didn't disappoint.  They rolled on in crashing on the rocks beneath her giving off some amazing spray as well as background.  One particular set was so strong the splash of the wave completely filled the frame behind the model giving it a truly beautiful effect.

So if this kind of work is of interest to you, you might just want to try this technique so you can create some really cool shots of your own.  I hope it helps!  Below are the pics from the shoot.  I truly hope it helps.  Don't forget to subscribe to my blog by clicking below!

Thanks,

Jason

Shots taken at 1/6400 sec, f/1.8, ISO 50 at 200mm

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What Pro Photographers Images Look Like Raw, Unedited or with Lightroom Edits Only

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What Pro Photographers Images Look Like Raw, Unedited or with Lightroom Edits Only

So I get asked a lot about my images and work.  People wanna know how much of it is editing vs. what I capture in camera.  While I'm not opposed to photographers editing their images, I do take great pride in what I'm able to capture and create in camera vs. relying on post processing wizardry.  There's something so old school about creating it in camera.  I personally feel it's more gratifying and is also a greater challenge.

Maybe I get this attitude due to the fact that my roots are based in being a landscape photographer.  That's why I've always incorporated so much of nature into my work.  So from time to time I'll create posts and videos where I not only show my finished work, but also my completely unedited raw and straight out of the camera work as well.  Now for those wondering I won't be posting my raw files onto these posts.  Why?  Because I don't want other people taking my work and editing it for their use or pleasure.

Sometimes folks post raw shots for others to see.  But those are for the viewer to get a look at how a lens or camera performs for example.  Or the shot is posted so people can download it and try a certain photoshop technique.  This isn't that kind of a post.  This post is about showing how much I capture in camera vs. what I create afterwards and I hope it helps to shed some light on what I do.

To start off I pretty much use Lightroom for ALL of my work.  This is largely in part to time.  I'm not opposed to Photoshop in any way and kudos to those who choose to use it for their work.   But with a full time photography company and full time Youtube Channel, I just need the streamlined workflow of Lightroom to get my work done quickly.  The only times I would use Photoshop would perhaps be for images being submitted to a competition etc.  The work you see on Youtube and on my website is all Lightroom only.

So I did this shoot with a beautiful model named Jazmen Parker in Oceanside, California.  I used the Sony A7Rii with the Rokinon 14mm f/2.8 lens.  I used the Flashpoint Xplor600 in High Speed Sync for off camera flash.

To be able to illustrate how my shots look in Raw I did screen captures of select images from the shoot while open in Lightroom.  These shots are seen in the gallery below:

I then exported these same shots as shown in the screen captures as completely unedited (SOOC) jpegs.  This gallery is below:

And here are my shots that were edited using Lightroom only

I truly hope this post helps to shed a little light on what images look like out of the camera for a professional photographer.  Links to gear are included below:

**Links to Gear:

*Sony A7Rii-  

*Rokinon 14mm f/2.8-  

*Flashpoint Xplor 600-  

*Westcott Rapid Box XL-  

Jason

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