Register for a workshop or 1 on 1 session by sending an email to:
INFO@JLPROS.COM!
1 on 1 sessions are also available where you go out with me for 3 hours and get the personal attention you need and can all the questions you ever wanted to ask without the embarrassment of asking them in front of a group of our peers! 1 on 1 Sessions are available for $199.
Register for a workshop or 1 on 1 session by sending an email to:
INFO@JLPROS.COM!
1 on 1 sessions are also available where you go out with me for 3 hours and get the personal attention you need and can all the questions you ever wanted to ask without the embarrassment of asking them in front of a group of our peers! 1 on 1 Sessions are available for $199.
Internship Program! Want to become an intern for Jason Lanier Photography? This is your chance to be able to learn from us and become an excellent photographer. We offer both a 6-month an 1-year internship program. The 6-month program is great for those who are starting out and want to learn more that they can take to start their own careers. The 1-year program is meant for those that want to eventually become a certified Jason Lanier Photographer and shoot for my company for pay! I am opening up 5 slots for interns.
We need: 4 photography related interns and 1 office staff intern
All skill levels are welcome to apply. If interested please send me an email to jason@jlpros.com with the following information:
*Name, current city you live in (must be in Southern California).
*Current level of ability- send me a link to any online images you have up if you have a blog, website, etc. If you don't, just tell me you don't!
*Schedule Flexibility- those who have the most flexibility will be given additional consideration. We really need those available on Saturdays (for the 4 photography slots) and weekdays (for the 1 office slot).
*Picture- I'm a visual person as you know so please attach a small picture of yourself so I can know who I'm talking to when we explore your candidacy for the position.
*Age- 18+ (not because of any adult related material) We need those who are adults simply for liability reasons.
I look forward to your responses.
Thanks!
Jason
Pensacola Workshop- This is a calling to all Pensacola Photographers! Want to learn how to do fun and crazy stuff like this? Then come to my workshop on Saturday April 23, 2011 starting at 10am at the Hilton Pensacola Beach Gulf Front. Send us an email at INFO@JLPROS.COM. Cost is $100 and can be paid via credit or debit card. Workshop is 2 hours in the classroom and 2 hours on a shoot like this one...what are you waiting for? One-on-One training sessions also available for only $175 where you get to go out with me on a shoot for 3 hours by yourself. I can't wait to see all of you there!!
Southern California Workshop Announced! My team thinks I'm crazy but I'm announcing a workshop for Southern California for next month on Saturday May 14, 2011! The workshop location will be centrally located in Southern California so it is accessible to as many people as possible.
To register for the workshop please send an email to INFO@JLPROS.COM. Workshop will be 2 hours of classroom instruction followed by 2 hours of on shoot training. Cost is $100. We would love to see you there so please register now!
PENSACOLA PHOTOGRAPHY WORKSHOP! We will have our Pensacola Photography Workshop on SATURDAY APRIL 23, 2011 at the Hilton Pensacola Beach Gulf Front for all those who would like to come.
To register please send an email to INFO@JLPROS.COM. Registration is $100 per attendee and includes 2 hours of classroom instruction followed by areal shoot with Jason Lanier at an outdoor location. We don't sit around the hotel and do a boring shoot...it is very interactive where I help with everything from camera settings, posing, lighting techniques, and general shooting questions as well. We would love to see you there and spacing is limited so register today!
Chance to shoot and learn alone with Jason Lanier- I've done private tutoring sessions for photographers, enthusiasts, and beginners for quite some time. I was asked if I could do something when I came out to Shreveport, Louisiana on a one-on-one basis and the answer is, "Yes!" I will be doing 3 fashion type shoots where I combine my landscape and fashion photography experience into one shoot to create something amazing. I have 3 spots available for anyone that might want to come along for the shoot, shoot along side with me, ask me any questions they have, and then receive instruction on how to shoot and why. After the shoot we can grab some dinner and review the results together! I'm offering the shoot for only $175 for those who attend my workshop on Saturday, and $275 for those who don't. If interested please send an email to info@jlpros.com. It will be first come-first serve so don't delay!
FREE photography workshop in Shreveport, Louisiana!! I've had such an amazing time with my photography career that I am always grateful to give back when I can. I am going to be opening up my workshops for FREE so anyone that wants to attend can do so. The first two hours of instruction are for free, we take a short break, and then the second two hours where we go for a model shoot is reserved for those who pay the $100 tuition fee. I have to pay the models so I can't make that portion free. I can tell you that anyone looking to learn will benefit from all portions of this workshop. Those looking to get hands-on training will benefit SIGNIFICANTLY by the 2-hour model shoot. Regardless of the type of photography you shoot (everyone knows I like a few different types myself), the model shoot will benefit anyone looking to learn and improve. I hope to see all of you there!
So I called B of A and in short the guy apologized but told me the card block wouldn't be released for another 3 hours as they were down for maintenance. This meant I had to wait until noon to rent or buy anything and worse yet I couldn't start on my way to Kruger which is a good 5-6 hours from Johannesburg.
So with no GPS, money, or working card, I decided to spend my 3 hours that I had before the card started working and headed to downtown Johannesburg hoping I could make it back to the airport without incident. There's about a 20 minute drive from the airport to downtown and following the signs got me downtown without too much of a problem. Being that it was the weekend there wasn't much business activity down there but there was a lot of people just having fun.
Let me tell you they drive crazy in South Africa, especially downtown. No regard for street lights, other cars, or other people for that matter. The funniest thing was while driving a taxi driver pulled up to me and said, "Hey man, if you're going to drive here you have to drive like we do. Otherwise you are going to get bounced around like a ball and end up in the gutter." I took his advice and switched to crazy out of America mode and started driving like they do...and it worked, it was actually safer.
It took some advice from some strangers to get back to the airport and after a little difficulty I made it back there. Well, the card was finally working, so I went to the ATM and got cash, and then to the Vodafone store to rent a GPS and wireless card. They couldn't guarantee that the wireless card would work on a Mac, so I had to take the chance that I could get it to work.
After leaving the airport I plugged the directions in for Kruger and set off. The only problem was that the power cord to the GPS would only work if the car wasn't moving. Exasperated beyond belief while sitting at the side of the freeway I just couldn't bring myself to go back to the airport. I decided to just risk it and hope it would work.
At this point I was so far behind schedule I just was hoping to make it close to the entrance gates to Kruger. I took off and was on the toll road towards Kruger which was about 450km away. One of the first things I noticed was all of the people walking on the side of the road (freeway) just hitchhiking. The toll road was pretty smooth and I was trying to make it to Kruger before the gates closed at 6pm.
I headed for the Numbi gate and by the time I got there it was well nearing 7pm. On the roads I was so surprised at how dark they were which was dangerous because so many people are walking on the roads and can be hit. I was also very surprised to see all the roadside fires, and kids just playing in the fires, no adults around or caring. I pulled over to the side of the road and captured some shots of the fires and kids.
In South Africa you are going to be hard pressed to find a gas station that takes a debit or credit card, so it's very important to carry as much cash with you as can. I filled up with gas and found lodging at the Numbi Lodge which was very simple but accommodating. The only bummer was that my Samsonite travel adaptor didn't work in the hotel but I figured that it must be a problem at the hotel. The cost of the hotel was around 500 Rand. The easiest way to figure out the exchange ratio is to assume that the USD cost is 15% of whatever the Rand cost is....so the hotel cost about $55 dollars.
I prepared myself for the next day to finally enter the Park planning to be there at 5:30am when the gates opened. Even though it had been a rough start to the trip I was beyond excited to be able to finally get inside of this amazing place. A dream come true was about to happen..and I couldn't wait!
Day One- "Getting There"
If you live in the United States, and especially on the west coast you can plan on it taking a very long time to get to Africa. I left my home at 3:30am to get down to San Diego International Airport for my flight leaving through Delta. I arrived at the airport and after dragging my three bags (one computer, one camera, and the other (my clothes/food/medical supplies) I made it to the check in counter at Delta. Being a Platinum Medallion Member I am used to having heavy bags checked at no cost, and believe me with the way my wife packed my bag I could have survived the apocalypse.
When asked to put my bag on the scale I was amazed at just how heavy it was.....110 pounds. Typically I get 70 pounds for free with Delta, but what I didn't know was that they won't accept anything over 70 pounds....at all. Frantic that I will miss the flight I ask the ticket agent for any recommendations. She says, "Well, we can put it in a spare box if we can find one and hope it makes it." Realizing I had no other options I said, "Great, let's do it." So she found a box that was way too big for my stuff but it was all we had. I opened my suitcase leaving it on the scale and starting throwing my supplies into the cardboard box and kept going until the scale read 70 pounds for the suitcase. She then proceeded to take security tape and wrap up the box like a mom wraps a baby in a blanket. After she finished with the box she asked me for my visa to South Africa and I responded by saying I didn't need one. She said, "I hope you're right." Now, I had checked over and over again and was sure I didn't need one, but now I was second guessing myself. She said, "You could get there and be turned back if you're wrong. But it's your decision if you want to risk it." I said, "I'm going."
I managed to grab this image with my blackberry....
This box was so flimsy it was either I risked it and got to Africa or missed the flight. I said a quick prayer asking that it would have some angel assistance in making it and headed to security. The delay with the box got me to my plane about 5 minutes before takeoff. Once on the plane they wanted to check my computer and camera bags which of course I refused which they didn't like. Typically I get on the plane first with Medallion members so I don't have an issue with overhead space. Since I was late that wasn't an option. A very kind man sitting behind me took pity on me (probably because my face was half swollen from an injury two days earlier), and offered to put one of my bags in his foot rest area. FINALLY, I was on the plane and headed there....already a small miracle.
My first flight took me from San Diego to New York JFK airport. I arrived at JFK and had a layover, got some food, bought a Samsonite universal travel electricity adaptor kit, arrived at my gate, and was ready to go. I even called Bank of America to remind them of my travel notification so they didn't block my card as they are infamous for doing. They assured me I would have no problems while traveling. I was happy and ready to take my next flight.
Well, that was before Delta did a gate change and didn't announce it. I was actually waiting in line to speak with the gate agent about my seat assignment when he said, "Sir, this isn't your gate, it's changed and our PA system isn't working for us to make an announcement. You're going to miss your flight because it's in an entirely different terminal that requires you to take a shuttle over the tarmac. You will have to stay the night here in NY and try again tomorrow."
I wasn't prepared for this and refused to believe I couldn't make it. So I ran with my bags to the shuttle and waited 10 excruciating minutes for it to arrive. It's amazing when you're in a hurry and you see other moving so slowly how it can just drive you crazy isn't it? So the shuttle took us over to the other terminal, and my flight was now supposed to be leaving in 5 minutes. I ran up the escalator to hear, "Last call for Amsterdam, doors are closing!" I yelled, "I'm coming, you better not close those doors!!" As I made it to the gate they took my ticket and I started walking through the jetway towards the plane. A gate agent said, "Sir, you need to hurry, the plane is leaving." I replied, "So stop talking to me about it, grab one of my bags and help me make it." He gave a look of dissatisfaction but did grab a bag and I made it on the plane.
I flew for 9 hours to Amsterdam on KLM (partner with Delta) and it was an enjoyable flight albeit the food wasn't very good. When arriving in Amsterdam I didn't want any further issues so I immediately went to my next gate and waited. I pulled up my computer, Skyped with my wife (kids were in bed), and waited. Well, in Amsterdam I wasn't aware that they do an entirely new security screening AT THE GATE. So, I got in line, went through security at my gate (that's a new one for me) and did make it onto the plane without incident.
I flew for another 11 hours to Johannesburg, South Africa. By the time I landed there total travel time was over 30 hours and it was around 11pm. My stomach turned as I went through passport control still nervous about the visa. The customs agent took my passport, asked me what I was there to do, and just stamped me in....easy as pie.
For the first time in my 30+ hours of traveling I had a HUGE smile on my face. I was actually IN SOUTH AFRICA!!! I grabbed a cart (trolley outside of the US) and looked for my luggage. When the entire plane full of passengers had retrieved their luggage and I was still standing there I became just a tad concerned. At this point it was past midnight and not much help available. An employee told me if I had anything fragile I had to check another carousel about 10 minutes away for my luggage. When I went over there I found my crappy cardboard box sitting there, still together, but clearly showed the wear and tear of travel with items hanging out the openings on the box only sticking to the security tape. I grabbed my box very relieved to find it, but still no suitcase. I went back to my original carousel and found a man who had grabbed my bag thinking it was part of a group. I was able to prove it was mine and off I was to customs.
With it being so late at night there weren't many people there and the customs agents were just joking around with each other. I was concerned they would look at my hideous box and have a problem with it. So as I passed them I did a little whistle to myself and they didn't even ask me to stop. SWEET! Off to my rental car!!
I had a reservation through Thrifty and everything was smooth until it came time to pay. Bank of America declined my card and of course they aren't open 24 hours a day. So using the phone at Thrifty I called the fraud line (which they tell you not to do unless your card is stolen, but it's the only 24-hour line offered by B of A). Something I love to do is make the banking agent stay on the phone until my charge is approved. I figure they have inconvenienced me enough so the least they can do is spend another 5 minutes on the phone so I don't have to call back. Once the charge went through I was at last relieved. The agent then asked what kind of coverage I wanted on the car. I told her the standard was fine but she said I should do the "SUPER" coverage. When I asked why she said, "Well, if you do the standard coverage it costs you less than the super, but we take a security deposit 5 times larger than if you do the super coverage. The deposit can take awhile to come off your card." I replied, "So you make it punitive for someone to choose the standard coverage so you can make more money with the super?" She actually smiled when I said that, almost admitting that was the case. I was reminded at this moment of the Seinfeld episode where Jerry was renting a car and got screwed. So when he was asked if he wanted the coverage he replied, "Yes I do, because I'm going to beat the ## out of this car." Thinking of this as I was talking to this young lady I smiled and said, "Yes, I will take the super coverage."
Well, Thrifty then told me they ran out of GPS units and they wouldn't have any until the next day. I showed her on my blackberry where it said I had one reserved and she replied, "I know, it happens all the time. When you make a reservation on Thrifty.com we don't get the GPS reservation requests on our end even though it shows on your end. We've told corporate and they can't fix it."
Flummoxed beyond all belief and exhausted I asked, "How am I supposed to find my hotel at 1am in a place I've never been?" She offered to write me directions which was nice and I proceeded to go to my car with a belief in myself that somehow I would find the hotel. I picked up my "Full size car" a Nissan Tilda which is a compact for US standards. I asked about an MP3 jack which all rental cars have in the US and was told that only the Mercedez Benz' had the MP3 jack available in South Africa. At that point I just needed to get to the hotel and sleep.
I left the airport driving on the left side of the road and after about 15 minutes of driving around found my hotel, The Airport Grand Hotel. I hadn't chosen a very ritzy place because I only intended on sleeping there for about 6 hours before leaving for Kruger in the morning. What I didn't know was that I'd be passing some "interesting" areas getting to the hotel with a bunch of teenagers wreaking havoc in the streets. I passed through the security of the hotel, had my luggage taken to my room, skyped my family real quick and went to sleep....
In all I left my home out of San Diego on Friday at 3:30am and didn't get to my hotel in Johannesburg, South Africa until Sunday at 2am. A very long journey even when you take into account the 10 hour time difference, with S. Africa 10 hours ahead of California.
Yesterday I wrote a blog about the Top 8 Tips to Improving Lightning Photography that included the first 4 tips. Below is the complete list of 8 tips that I hope will help all Lightning chasers everywhere! All the shots below were from a shoot I did while on a Carnival Cruise ship in the Caribbean from 1:30am to 5am. More shots from this shoot can be found on the previous blog posting.
- Find a way to stabilize your camera (tripod is the best option....but it's also a lightning rod)! You can either be a little crazy like me and assume that when it's your time to die it's going to happen no matter what, or you can set it on a tripod, turn on your self-timer or intervalometer and reduce your chances of getting hit by lightning by walking away from your camera.
- Set your exposure for when the lightning hits, otherwise when it does hit your shots will be severely overexposed if you are exposing for the night sky without taking into account the immense amount of light the lightning shines into the sky. You will have to experiment for probably 10 minutes in shooting to get this right. How do you do it? You mount your camera, open the shutter up for at least 4 seconds and wait for lightning to hit in the frame of your shot during the shutter being open for 4 seconds. Start adjusting your settings to get the right exposure.
- SLIGHTLY underexpose the image. It's much easier to raise the exposure in Lightroom, Aperture, etc. than it is to try and fix an overexposed shot. PLUS, when you do get that shot where there is a lot of lightning you run the risk of overexposing that shot if you aren't slightly underexposing. 1 or 2 stops under should do the trick.
- Manual Focus- don't even try auto focus for these shots. You will miss it every time because the camera will have try to focus each and every time you press the trigger. And the worst part is it won't be able to focus because you are pointing at a big dark sky. What you need to do is auto focus your lens on something else around you (like the light from a lightpole), then change your focus to manual on your camera. No light poles around you? Use your car lights, flashlight, anything to shine light on an object that's not too close to you to be able to get your focus correct.
- Aperture- don't go with a wide aperture, it will be even more difficult to focus and there is a large chance that elements in your image will be out of focus as a result. If you leave your shutter open long enough you won't need a wide aperture.
- Wide lens- use a wide lens if possible. For the shots I took this evening I used a Nikkor 24mm lens. For a few shots I used a Nikkor 50mm but didn't use it for very long. Why? Because a wide lens is much better to create a bigger "canvas" for God to paint with lightning. Simply put, you have a much better chance capturing lightning with a wider lens.
- Low(er) ISO- I shoot with the D3 which is famous for it's amazing ISO sensitivity. Despite that when I shoot lightning I really don't need a high ISO because I am using the long shutter (usually 5 seconds or more) to allow the amount of light I need in. I lower the aperture because I know with night shots I want as little noise as possible in the shot for post processing purposes. Using a D3, a low aperture for me is anything under 2000. For other cameras I highly recommend keeping it under 1000.
- Patience- you might get lucky and get the shot of the century after 15 minutes....chances are you won't. That is due in large part because you are at the mercy of where the lightning strikes, fortunate that your shutter is open when it strikes, and it takes time to get your settings correct to account for a subject matter (lightning bolts) that aren't in the frame when you are making your settings.
So I was on a big Carnival Cruise ship this week in the Caribbean and at about 1am I look out my window and see big flashes of light filling the sky. I immediately thought, "That has to be lightning," so I decided to see what I could capture. I have had some great shoots with lightning over the years but this was truly unique. Why? Because I've never had a lightning storm hit while I was on a ship in the middle of the ocean...and we were heading straight for the storm.
I grabbed my Nikon D3 and my monopod. I left my tripod at home for the trip and had to figure out a way to be able to shoot lightning on a moving ship, in a storm, with lots of wind and rain, and virtually no way to keep the camera still to get the shots I needed. So using my monopod I "Jimmy-rigged" the camera and monopod to the railing of the ship using my camera strap to secure it. I have included some pics to show you what I did. I get a lot of questions regarding how to shoot lightning photography. So to help I have created The Top 8 Tips for Taking Lightning Photography:
- Find a way to stabilize your camera (tripod is the best option....but it's also a lightning rod)! You can either be a little crazy like me and assume that when it's your time to die it's going to happen no matter what, or you can set it on a tripod, turn on your self-timer or intervalometer and reduce your chances of getting hit by lightning by walking away from your camera.
- Set your exposure for when the lightning hits, otherwise when it does hit your shots will be severely overexposed if you are exposing for the night sky without taking into account the immense amount of light the lightning shines into the sky. You will have to experiment for probably 10 minutes in shooting to get this right. How do you do it? You mount your camera, open the shutter up for at least 4 seconds and wait for lightning to hit in the frame of your shot during the shutter being open for 4 seconds. Start adjusting your settings to get the right exposure.
- SLIGHTLY underexpose the image. It's much easier to raise the exposure in Lightroom, Aperture, etc. than it is to try and fix an overexposed shot. PLUS, when you do get that shot where there is a lot of lightning you run the risk of overexposing that shot if you aren't slightly underexposing. 1 or 2 stops under should do the trick.
- Manual Focus- don't even try auto focus for these shots. You will miss it every time because the camera will have try to focus each and every time you press the trigger. And the worst part is it won't be able to focus because you are pointing at a big dark sky. What you need to do is auto focus your lens on something else around you (like the light from a lightpole), then change your focus to manual on your camera. No light poles around you? Use your car lights, flashlight, anything to shine light on an object that's not too close to you to be able to get your focus correct.
Full list of the Top 8 Tips for Improving Lightning Photography including tips 5 thru 8 are coming next as well as many more shots from this shoot!!
The best thing for you to do is simply look at this like a fireworks show from the heavens and fully take it in. For this shoot in the Caribbean I shot for 3.5 hours. Many times I truly just marveled, yelled, "WOW!" and instead of getting frustrated (which is easy to do), I just enjoyed something truly remarkable. Hope this helps anyone trying to capture lightning bolts or strikes during a lightning storm. If you haven't done it before give it a try and you will LOVE it.
Nikon D3, 5 seconds at f/13.0, ISO 1250 at 24mm.
Nikon D3, 5 seconds at f/13.0, ISO 1250 at 24mm.
Nikon D3, 5 seconds at f/7.1, ISO 2500 at 24mm.
I didn't have a tripod with me so I improvised by tying my monopod to the ships railing...
Workshop Questions: I was asked some questions regarding the workshops we offer and I thought I'd post the questions and answers in case other have the same questions.
1. Q: When we register do we pay the $100 registration fee at this time? A: Yes, the $100 is required to register for the course and you are sent a link to pay with credit/debit card. The link is active for 7 days to make payment, if you don't pay within 7 days your registration won't be valid. So make sure to pay so we can see you there!
2. Q: Are there limited spots available, if so how many? The workshop size is determined by the amount of attendees we have signed up 1 month before the workshop, that way we can choose the appropriate venue to hold the workshop. It is recommended to sign up ASAP in case we do find a venue that we REALLY want and the space might be limited.
3. Q: I have a point and shoot camera. Do I need to have a DSLR for your workshop to be beneficial? A: You DO NOT need to have a DSLR prior to the workshop as the time we spend together might actually help you determine what is best for you depending on your needs. My workshops will show you the tools I use like Adobe Lightroom, Photoshop, Nikon cameras, different lenses, etc. Having your camera for the model shoot will make that part extra fun but you will learn a lot regardless of whether you have your gear before or after the workshop.
4: Q: What skill level does that apply to? A: Truth is I have had people from all skill levels come to my workshops and from what they've told me that have all benefited from the information given. I take lots of questions so that gives a lot of different people the opportunity to get the info they need. I really do structure it so people who are just hobbyists to full time photographers can benefit from our time together.
Any more questions please let me know!
Rollerskating in Paia, Hawaii- this image was taken last year at a shoot I did in the little city of Paia which is located on the island on Maui. This was such a fun shoot because with my busy schedule I don't get to do a lot of fashion shoots but this was one I just couldn't pass up. The model wore pigtails with a total vintage rollerskates and the outfit to boot.
We had a location planned but the original location had to be moved because there was actually a fire in the dried out sugar cane blocking the road to the location where we were going to shoot. So needing to find a new location we drove down the road and found this little rustic laundromat that was just perfect.
When we went to the laundromat there was a man there holding his dog and we asked if we could use it in the shoot. The model wasn't used to using rollerskates, so once we put the leash in her hand and the dog starting moving, so did the model. The picture as seen is a true capture of her losing her balance and falling down after the dog changed directions. There are some things you can't create on your own, and capturing someone falling is something that you can't fake. At the same time a pedestrian walked by and witnessed the fall which I also loved in the shot.
I had to stand in the middle of the road to get it but it was totally worth it. The model wasn't harmed at all in the making of this picture. I hope you like it!
Camera settings: Nikon D3, shutter 1/500 at f/9.0, ISO 640 at 28mm. Flash did not fire.
I often get asked, "So, you don't do any wedding photojournalism, do you?" I always chuckle a little at this question but I understand why people ask me. They see my photography and assume it's all posing, grand landscapes, etc. My response is always very simple, "Of course I do wedding photojournalistic photography, in fact 80% of the images from my weddings are photojournalistic."
Why? Well, it's very simple. With the way a wedding is constructed if you tried to to do anything more than 20% posing, you would interfere with the natural flow of a wedding and truly screw up the wedding for the clients, guests, etc. I find the photographers that can do BOTH a photojournalistic approach AND have the talent and ability to be able to be able to pose and create are the most sought after photographers on the market.
I have had clients request for 100% photojournalistic wedding photography, and you might be surprised that I have very happily accepted and honored those requests. They are choosing me for the style in which I shoot the photos, even though they are done in a journalistic way. I still add my creativity and own style to the wedding, the difference is that it's completely 100% unposed.
Conversely I have a lot of weddings where the client wants a lot of my posing and "signature" look where of course I'm very happy to oblige. In my opinion posing is more difficult than photojournalism because YOU as the photographer are responsible for making the shot correct, and if you don't get it right the client will indeed hold you responsible. With photojournalism the pressure is to get the shot right as it happens, because there are no "go backs." You can't say to the client, "Hey, would you mind having that incredibly emotional moment again? My camera settings were wrong and I screwed up the shot."
When I have consultations with my clients and they say they want completely photojournalistic photography I qualify their statement by asking:
- Do you want group photos?
- Do you want photos of you two looking at the camera?
- Do you want pictures in front of anything in particular?
- Do you want to make sure I get shots of you WITH anyone in particular?
99% of the time they answer, "Yes" to at least 2 of these questions at which point I explain that I will have to have some interaction at the wedding to make these things happen. In this day and age I have found that the majority of wedding couples just don't want BORING wedding photography like from the 1970's and 80's where some of the images were truly horrific. They feel they have to ask for photo-journalism wedding photography because they are scared if they don't that their pictures will turn out like their parents.
The answer is that wedding photojournalism and posing not only can co-exist, but they must co-exist. The vast majority of clients in the wedding market require it for their wedding. Having both gives the wedding clients the most comprehensive coverage they can possibly ask for, giving them something they will remember and love forever.
Camera Settings: Nikon D700, 1/320 at f/5.6, ISO 800 at 200mm. Shot at a wedding in Maui, HI, January 8, 2011 by Jason Lanier Photography.
I always tell my clients that they spend SO much time planning, preparing, spending, stressing, and finally getting married that it's my job to make sure I capture all of that so they will never forget it. I was married almost 11 years ago to the most amazing woman in the world. I have a pretty good memory but I can honestly tell you I can't remember the food served (I think it was Mexican food or something), I can remember about 3 of the songs the DJ played, and the decorations are a total blur.
If I didn't have the pictures that I have from my wedding I would remember even less. Due to my personal experience me and my team of photographers take great patience and time in getting the shots of all the things that you have worked so hard to create. My favorite comment from my clients is after the wedding when they see the images they say, "Wow, I didn't even know that happened, or I didn't remember we did that!"
For this shot in particular this is a bouquet that sat in the window at the Keawali Church in Maui for the wedding I shot there in January 2011. The sunlight was coming in and I just loved the contrast of the beautiful flowers against the window, and I made sure to frame it inside of the window frame and walls. It's a simple shot, but I love it. As the experts say, the quality is in the details, and wedding photography is no exception....
Camera settings: Nikon D700, 1/160 sec at f/3.8, ISO 1000 at 28mm. Flash did not fire.
New Workshop Announcement- Saturday April 23, 2011 in Pensacola, Florida! We are very excited to announce our newest workshop coming up in three months in beautiful Pensacola, FL where I have shot many weddings and have some truly great friends. Our workshop will be from 10am-2pm, 2 hours in the classroom and 2 hours on a model shoot where we can put our newly acquired tools to test.
Cost of the workshop is $100 per attendee and can be paid via debit/credit card and also by check. There are two things I can guarantee you from our workshops...you will leave with knowledge you didn't have before that you can use in your shooting, and you will have a ton of FUN! To register send an email to info@jlpros.com!
I always say that you can't make a good photograph great, you can only make a great photograph a little better. We're not talking about full on graphic design where you bring in fake skies, different backgrounds, etc...because that's not photography, that's just graphic design. Many times I'm asked where I get my backgrounds. I NEVER use backgrounds in my imagery, truthfully I take a lot of time to make the NATURAL background look great and shoot it properly. For that reason I'm sharing this image from a wedding I shot in Maui, HI in January 2011.
In order to make this image the way I wanted it I had to make sure to shoot it at the right time of day, use the sun the naturally light the bride, and remove any debris from around the bride. I hate spending extra time in PS cloning out things I naturally should have taken care of BEFORE I took the shot. Do I use photoshop to fix acne for example on a brides face that will be the cover of the album? Of course I do. But that's something that's unavoidable. My biggest point in writing this is that photoshop needs to be saved for the unavoidable things, and that any thing a photographer can do before taking the shot is their responsibility to get right.
Any questions please let me know!