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My Amazing African Safari- Day 1 "Getting There"


In March of 2011 I had the amazing opportunity to spend two weeks in South Africa on my first of many African photography safaris. Traveling to Africa has always been one of the biggest dreams of my life as photography is my passion and my career. Africa has so much to offer and is one of the last places on earth to truly see wildlife in their natural habitat in the backdrop of some of the most amazing landscape you will ever see. I will chronicle my journey to Africa and everything that it entailed here on my blog for anyone that might share my interest in Africa, photography, and what it takes to get there, have a great time, stay out of trouble, and just have the time of your life. I hope you enjoy......

Day One- "Getting There"

If you live in the United States, and especially on the west coast you can plan on it taking a very long time to get to Africa. I left my home at 3:30am to get down to San Diego International Airport for my flight leaving through Delta. I arrived at the airport and after dragging my three bags (one computer, one camera, and the other (my clothes/food/medical supplies) I made it to the check in counter at Delta. Being a Platinum Medallion Member I am used to having heavy bags checked at no cost, and believe me with the way my wife packed my bag I could have survived the apocalypse.

When asked to put my bag on the scale I was amazed at just how heavy it was.....110 pounds. Typically I get 70 pounds for free with Delta, but what I didn't know was that they won't accept anything over 70 pounds....at all. Frantic that I will miss the flight I ask the ticket agent for any recommendations. She says, "Well, we can put it in a spare box if we can find one and hope it makes it." Realizing I had no other options I said, "Great, let's do it." So she found a box that was way too big for my stuff but it was all we had. I opened my suitcase leaving it on the scale and starting throwing my supplies into the cardboard box and kept going until the scale read 70 pounds for the suitcase. She then proceeded to take security tape and wrap up the box like a mom wraps a baby in a blanket. After she finished with the box she asked me for my visa to South Africa and I responded by saying I didn't need one. She said, "I hope you're right." Now, I had checked over and over again and was sure I didn't need one, but now I was second guessing myself. She said, "You could get there and be turned back if you're wrong. But it's your decision if you want to risk it." I said, "I'm going."

I managed to grab this image with my blackberry....


This box was so flimsy it was either I risked it and got to Africa or missed the flight. I said a quick prayer asking that it would have some angel assistance in making it and headed to security. The delay with the box got me to my plane about 5 minutes before takeoff. Once on the plane they wanted to check my computer and camera bags which of course I refused which they didn't like. Typically I get on the plane first with Medallion members so I don't have an issue with overhead space. Since I was late that wasn't an option. A very kind man sitting behind me took pity on me (probably because my face was half swollen from an injury two days earlier), and offered to put one of my bags in his foot rest area. FINALLY, I was on the plane and headed there....already a small miracle.

My first flight took me from San Diego to New York JFK airport. I arrived at JFK and had a layover, got some food, bought a Samsonite universal travel electricity adaptor kit, arrived at my gate, and was ready to go. I even called Bank of America to remind them of my travel notification so they didn't block my card as they are infamous for doing. They assured me I would have no problems while traveling. I was happy and ready to take my next flight.

Well, that was before Delta did a gate change and didn't announce it. I was actually waiting in line to speak with the gate agent about my seat assignment when he said, "Sir, this isn't your gate, it's changed and our PA system isn't working for us to make an announcement. You're going to miss your flight because it's in an entirely different terminal that requires you to take a shuttle over the tarmac. You will have to stay the night here in NY and try again tomorrow."

I wasn't prepared for this and refused to believe I couldn't make it. So I ran with my bags to the shuttle and waited 10 excruciating minutes for it to arrive. It's amazing when you're in a hurry and you see other moving so slowly how it can just drive you crazy isn't it? So the shuttle took us over to the other terminal, and my flight was now supposed to be leaving in 5 minutes. I ran up the escalator to hear, "Last call for Amsterdam, doors are closing!" I yelled, "I'm coming, you better not close those doors!!" As I made it to the gate they took my ticket and I started walking through the jetway towards the plane. A gate agent said, "Sir, you need to hurry, the plane is leaving." I replied, "So stop talking to me about it, grab one of my bags and help me make it." He gave a look of dissatisfaction but did grab a bag and I made it on the plane.

I flew for 9 hours to Amsterdam on KLM (partner with Delta) and it was an enjoyable flight albeit the food wasn't very good. When arriving in Amsterdam I didn't want any further issues so I immediately went to my next gate and waited. I pulled up my computer, Skyped with my wife (kids were in bed), and waited. Well, in Amsterdam I wasn't aware that they do an entirely new security screening AT THE GATE. So, I got in line, went through security at my gate (that's a new one for me) and did make it onto the plane without incident.

I flew for another 11 hours to Johannesburg, South Africa. By the time I landed there total travel time was over 30 hours and it was around 11pm. My stomach turned as I went through passport control still nervous about the visa. The customs agent took my passport, asked me what I was there to do, and just stamped me in....easy as pie.

For the first time in my 30+ hours of traveling I had a HUGE smile on my face. I was actually IN SOUTH AFRICA!!! I grabbed a cart (trolley outside of the US) and looked for my luggage. When the entire plane full of passengers had retrieved their luggage and I was still standing there I became just a tad concerned. At this point it was past midnight and not much help available. An employee told me if I had anything fragile I had to check another carousel about 10 minutes away for my luggage. When I went over there I found my crappy cardboard box sitting there, still together, but clearly showed the wear and tear of travel with items hanging out the openings on the box only sticking to the security tape. I grabbed my box very relieved to find it, but still no suitcase. I went back to my original carousel and found a man who had grabbed my bag thinking it was part of a group. I was able to prove it was mine and off I was to customs.

With it being so late at night there weren't many people there and the customs agents were just joking around with each other. I was concerned they would look at my hideous box and have a problem with it. So as I passed them I did a little whistle to myself and they didn't even ask me to stop. SWEET! Off to my rental car!!

I had a reservation through Thrifty and everything was smooth until it came time to pay. Bank of America declined my card and of course they aren't open 24 hours a day. So using the phone at Thrifty I called the fraud line (which they tell you not to do unless your card is stolen, but it's the only 24-hour line offered by B of A). Something I love to do is make the banking agent stay on the phone until my charge is approved. I figure they have inconvenienced me enough so the least they can do is spend another 5 minutes on the phone so I don't have to call back. Once the charge went through I was at last relieved. The agent then asked what kind of coverage I wanted on the car. I told her the standard was fine but she said I should do the "SUPER" coverage. When I asked why she said, "Well, if you do the standard coverage it costs you less than the super, but we take a security deposit 5 times larger than if you do the super coverage. The deposit can take awhile to come off your card." I replied, "So you make it punitive for someone to choose the standard coverage so you can make more money with the super?" She actually smiled when I said that, almost admitting that was the case. I was reminded at this moment of the Seinfeld episode where Jerry was renting a car and got screwed. So when he was asked if he wanted the coverage he replied, "Yes I do, because I'm going to beat the ## out of this car." Thinking of this as I was talking to this young lady I smiled and said, "Yes, I will take the super coverage."

Well, Thrifty then told me they ran out of GPS units and they wouldn't have any until the next day. I showed her on my blackberry where it said I had one reserved and she replied, "I know, it happens all the time. When you make a reservation on Thrifty.com we don't get the GPS reservation requests on our end even though it shows on your end. We've told corporate and they can't fix it."

Flummoxed beyond all belief and exhausted I asked, "How am I supposed to find my hotel at 1am in a place I've never been?" She offered to write me directions which was nice and I proceeded to go to my car with a belief in myself that somehow I would find the hotel. I picked up my "Full size car" a Nissan Tilda which is a compact for US standards. I asked about an MP3 jack which all rental cars have in the US and was told that only the Mercedez Benz' had the MP3 jack available in South Africa. At that point I just needed to get to the hotel and sleep.

I left the airport driving on the left side of the road and after about 15 minutes of driving around found my hotel, The Airport Grand Hotel. I hadn't chosen a very ritzy place because I only intended on sleeping there for about 6 hours before leaving for Kruger in the morning. What I didn't know was that I'd be passing some "interesting" areas getting to the hotel with a bunch of teenagers wreaking havoc in the streets. I passed through the security of the hotel, had my luggage taken to my room, skyped my family real quick and went to sleep....

In all I left my home out of San Diego on Friday at 3:30am and didn't get to my hotel in Johannesburg, South Africa until Sunday at 2am. A very long journey even when you take into account the 10 hour time difference, with S. Africa 10 hours ahead of California.

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Top 8 Tips to Improving Lightning Photography-Part 2

Yesterday I wrote a blog about the Top 8 Tips to Improving Lightning Photography that included the first 4 tips. Below is the complete list of 8 tips that I hope will help all Lightning chasers everywhere! All the shots below were from a shoot I did while on a Carnival Cruise ship in the Caribbean from 1:30am to 5am. More shots from this shoot can be found on the previous blog posting.
  1. Find a way to stabilize your camera (tripod is the best option....but it's also a lightning rod)! You can either be a little crazy like me and assume that when it's your time to die it's going to happen no matter what, or you can set it on a tripod, turn on your self-timer or intervalometer and reduce your chances of getting hit by lightning by walking away from your camera.
  2. Set your exposure for when the lightning hits, otherwise when it does hit your shots will be severely overexposed if you are exposing for the night sky without taking into account the immense amount of light the lightning shines into the sky. You will have to experiment for probably 10 minutes in shooting to get this right. How do you do it? You mount your camera, open the shutter up for at least 4 seconds and wait for lightning to hit in the frame of your shot during the shutter being open for 4 seconds. Start adjusting your settings to get the right exposure.
  3. SLIGHTLY underexpose the image. It's much easier to raise the exposure in Lightroom, Aperture, etc. than it is to try and fix an overexposed shot. PLUS, when you do get that shot where there is a lot of lightning you run the risk of overexposing that shot if you aren't slightly underexposing. 1 or 2 stops under should do the trick.
  4. Manual Focus- don't even try auto focus for these shots. You will miss it every time because the camera will have try to focus each and every time you press the trigger. And the worst part is it won't be able to focus because you are pointing at a big dark sky. What you need to do is auto focus your lens on something else around you (like the light from a lightpole), then change your focus to manual on your camera. No light poles around you? Use your car lights, flashlight, anything to shine light on an object that's not too close to you to be able to get your focus correct.
  5. Aperture- don't go with a wide aperture, it will be even more difficult to focus and there is a large chance that elements in your image will be out of focus as a result. If you leave your shutter open long enough you won't need a wide aperture.
  6. Wide lens- use a wide lens if possible. For the shots I took this evening I used a Nikkor 24mm lens. For a few shots I used a Nikkor 50mm but didn't use it for very long. Why? Because a wide lens is much better to create a bigger "canvas" for God to paint with lightning. Simply put, you have a much better chance capturing lightning with a wider lens.
  7. Low(er) ISO- I shoot with the D3 which is famous for it's amazing ISO sensitivity. Despite that when I shoot lightning I really don't need a high ISO because I am using the long shutter (usually 5 seconds or more) to allow the amount of light I need in. I lower the aperture because I know with night shots I want as little noise as possible in the shot for post processing purposes. Using a D3, a low aperture for me is anything under 2000. For other cameras I highly recommend keeping it under 1000.
  8. Patience- you might get lucky and get the shot of the century after 15 minutes....chances are you won't. That is due in large part because you are at the mercy of where the lightning strikes, fortunate that your shutter is open when it strikes, and it takes time to get your settings correct to account for a subject matter (lightning bolts) that aren't in the frame when you are making your settings.





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Shooting Lightning Photography- Top 8 Tips to improving lightning photography Part 1

So I was on a big Carnival Cruise ship this week in the Caribbean and at about 1am I look out my window and see big flashes of light filling the sky. I immediately thought, "That has to be lightning," so I decided to see what I could capture. I have had some great shoots with lightning over the years but this was truly unique. Why? Because I've never had a lightning storm hit while I was on a ship in the middle of the ocean...and we were heading straight for the storm.

I grabbed my Nikon D3 and my monopod. I left my tripod at home for the trip and had to figure out a way to be able to shoot lightning on a moving ship, in a storm, with lots of wind and rain, and virtually no way to keep the camera still to get the shots I needed. So using my monopod I "Jimmy-rigged" the camera and monopod to the railing of the ship using my camera strap to secure it. I have included some pics to show you what I did. I get a lot of questions regarding how to shoot lightning photography. So to help I have created The Top 8 Tips for Taking Lightning Photography:

  1. Find a way to stabilize your camera (tripod is the best option....but it's also a lightning rod)! You can either be a little crazy like me and assume that when it's your time to die it's going to happen no matter what, or you can set it on a tripod, turn on your self-timer or intervalometer and reduce your chances of getting hit by lightning by walking away from your camera.
  2. Set your exposure for when the lightning hits, otherwise when it does hit your shots will be severely overexposed if you are exposing for the night sky without taking into account the immense amount of light the lightning shines into the sky. You will have to experiment for probably 10 minutes in shooting to get this right. How do you do it? You mount your camera, open the shutter up for at least 4 seconds and wait for lightning to hit in the frame of your shot during the shutter being open for 4 seconds. Start adjusting your settings to get the right exposure.
  3. SLIGHTLY underexpose the image. It's much easier to raise the exposure in Lightroom, Aperture, etc. than it is to try and fix an overexposed shot. PLUS, when you do get that shot where there is a lot of lightning you run the risk of overexposing that shot if you aren't slightly underexposing. 1 or 2 stops under should do the trick.
  4. Manual Focus- don't even try auto focus for these shots. You will miss it every time because the camera will have try to focus each and every time you press the trigger. And the worst part is it won't be able to focus because you are pointing at a big dark sky. What you need to do is auto focus your lens on something else around you (like the light from a lightpole), then change your focus to manual on your camera. No light poles around you? Use your car lights, flashlight, anything to shine light on an object that's not too close to you to be able to get your focus correct.
Full list of the Top 8 Tips for Improving Lightning Photography including tips 5 thru 8 are coming next as well as many more shots from this shoot!!

The best thing for you to do is simply look at this like a fireworks show from the heavens and fully take it in. For this shoot in the Caribbean I shot for 3.5 hours. Many times I truly just marveled, yelled, "WOW!" and instead of getting frustrated (which is easy to do), I just enjoyed something truly remarkable. Hope this helps anyone trying to capture lightning bolts or strikes during a lightning storm. If you haven't done it before give it a try and you will LOVE it.
Nikon D3, 5 seconds at f/13.0, ISO 1250 at 24mm.
Nikon D3, 5 seconds at f/13.0, ISO 1250 at 24mm.
Nikon D3, 5 seconds at f/7.1, ISO 2500 at 24mm.

I didn't have a tripod with me so I improvised by tying my monopod to the ships railing...


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Jason Lanier Photography Workshops- Questions and Answers

Workshop Questions: I was asked some questions regarding the workshops we offer and I thought I'd post the questions and answers in case other have the same questions.

1. Q: When we register do we pay the $100 registration fee at this time? A: Yes, the $100 is required to register for the course and you are sent a link to pay with credit/debit card. The link is active for 7 days to make payment, if you don't pay within 7 days your registration won't be valid. So make sure to pay so we can see you there!

2. Q: Are there limited spots available, if so how many? The workshop size is determined by the amount of attendees we have signed up 1 month before the workshop, that way we can choose the appropriate venue to hold the workshop. It is recommended to sign up ASAP in case we do find a venue that we REALLY want and the space might be limited.

3. Q: I have a point and shoot camera. Do I need to have a DSLR for your workshop to be beneficial? A: You DO NOT need to have a DSLR prior to the workshop as the time we spend together might actually help you determine what is best for you depending on your needs. My workshops will show you the tools I use like Adobe Lightroom, Photoshop, Nikon cameras, different lenses, etc. Having your camera for the model shoot will make that part extra fun but you will learn a lot regardless of whether you have your gear before or after the workshop.

4: Q: What skill level does that apply to? A: Truth is I have had people from all skill levels come to my workshops and from what they've told me that have all benefited from the information given. I take lots of questions so that gives a lot of different people the opportunity to get the info they need. I really do structure it so people who are just hobbyists to full time photographers can benefit from our time together.

Any more questions please let me know!

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Fashion Shoot in Maui

Rollerskating in Paia, Hawaii- this image was taken last year at a shoot I did in the little city of Paia which is located on the island on Maui. This was such a fun shoot because with my busy schedule I don't get to do a lot of fashion shoots but this was one I just couldn't pass up. The model wore pigtails with a total vintage rollerskates and the outfit to boot.

We had a location planned but the original location had to be moved because there was actually a fire in the dried out sugar cane blocking the road to the location where we were going to shoot. So needing to find a new location we drove down the road and found this little rustic laundromat that was just perfect.

When we went to the laundromat there was a man there holding his dog and we asked if we could use it in the shoot. The model wasn't used to using rollerskates, so once we put the leash in her hand and the dog starting moving, so did the model. The picture as seen is a true capture of her losing her balance and falling down after the dog changed directions. There are some things you can't create on your own, and capturing someone falling is something that you can't fake. At the same time a pedestrian walked by and witnessed the fall which I also loved in the shot.

I had to stand in the middle of the road to get it but it was totally worth it. The model wasn't harmed at all in the making of this picture. I hope you like it!

Camera settings: Nikon D3, shutter 1/500 at f/9.0, ISO 640 at 28mm. Flash did not fire.

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Wedding Photojournalism and Posing- Can They Co-Exist?


I often get asked, "So, you don't do any wedding photojournalism, do you?" I always chuckle a little at this question but I understand why people ask me. They see my photography and assume it's all posing, grand landscapes, etc. My response is always very simple, "Of course I do wedding photojournalistic photography, in fact 80% of the images from my weddings are photojournalistic."

Why? Well, it's very simple. With the way a wedding is constructed if you tried to to do anything more than 20% posing, you would interfere with the natural flow of a wedding and truly screw up the wedding for the clients, guests, etc. I find the photographers that can do BOTH a photojournalistic approach AND have the talent and ability to be able to be able to pose and create are the most sought after photographers on the market.

I have had clients request for 100% photojournalistic wedding photography, and you might be surprised that I have very happily accepted and honored those requests. They are choosing me for the style in which I shoot the photos, even though they are done in a journalistic way. I still add my creativity and own style to the wedding, the difference is that it's completely 100% unposed.

Conversely I have a lot of weddings where the client wants a lot of my posing and "signature" look where of course I'm very happy to oblige. In my opinion posing is more difficult than photojournalism because YOU as the photographer are responsible for making the shot correct, and if you don't get it right the client will indeed hold you responsible. With photojournalism the pressure is to get the shot right as it happens, because there are no "go backs." You can't say to the client, "Hey, would you mind having that incredibly emotional moment again? My camera settings were wrong and I screwed up the shot."

When I have consultations with my clients and they say they want completely photojournalistic photography I qualify their statement by asking:

  • Do you want group photos?
  • Do you want photos of you two looking at the camera?
  • Do you want pictures in front of anything in particular?
  • Do you want to make sure I get shots of you WITH anyone in particular?
99% of the time they answer, "Yes" to at least 2 of these questions at which point I explain that I will have to have some interaction at the wedding to make these things happen. In this day and age I have found that the majority of wedding couples just don't want BORING wedding photography like from the 1970's and 80's where some of the images were truly horrific. They feel they have to ask for photo-journalism wedding photography because they are scared if they don't that their pictures will turn out like their parents.

The answer is that wedding photojournalism and posing not only can co-exist, but they must co-exist. The vast majority of clients in the wedding market require it for their wedding. Having both gives the wedding clients the most comprehensive coverage they can possibly ask for, giving them something they will remember and love forever.

Camera Settings: Nikon D700, 1/320 at f/5.6, ISO 800 at 200mm. Shot at a wedding in Maui, HI, January 8, 2011 by Jason Lanier Photography.

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Wedding Detail Shots- getting the stuff they will forget


I always tell my clients that they spend SO much time planning, preparing, spending, stressing, and finally getting married that it's my job to make sure I capture all of that so they will never forget it. I was married almost 11 years ago to the most amazing woman in the world. I have a pretty good memory but I can honestly tell you I can't remember the food served (I think it was Mexican food or something), I can remember about 3 of the songs the DJ played, and the decorations are a total blur.

If I didn't have the pictures that I have from my wedding I would remember even less. Due to my personal experience me and my team of photographers take great patience and time in getting the shots of all the things that you have worked so hard to create. My favorite comment from my clients is after the wedding when they see the images they say, "Wow, I didn't even know that happened, or I didn't remember we did that!"

For this shot in particular this is a bouquet that sat in the window at the Keawali Church in Maui for the wedding I shot there in January 2011. The sunlight was coming in and I just loved the contrast of the beautiful flowers against the window, and I made sure to frame it inside of the window frame and walls. It's a simple shot, but I love it. As the experts say, the quality is in the details, and wedding photography is no exception....

Camera settings: Nikon D700, 1/160 sec at f/3.8, ISO 1000 at 28mm. Flash did not fire.

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Learn To Take Better Pictures Workshop coming to Pensacola, FL!!


New Workshop Announcement- Saturday April 23, 2011 in Pensacola, Florida! We are very excited to announce our newest workshop coming up in three months in beautiful Pensacola, FL where I have shot many weddings and have some truly great friends. Our workshop will be from 10am-2pm, 2 hours in the classroom and 2 hours on a model shoot where we can put our newly acquired tools to test.


Cost of the workshop is $100 per attendee and can be paid via debit/credit card and also by check. There are two things I can guarantee you from our workshops...you will leave with knowledge you didn't have before that you can use in your shooting, and you will have a ton of FUN! To register send an email to info@jlpros.com!

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Taking (not making) great pictures

More and more I'm going to be posting images from my weddings and shoots that contain the before and after shots to give a better understanding on some of my photo techniques and to show that you must "take" great photographs, you can't "make" great photographs.

I always say that you can't make a good photograph great, you can only make a great photograph a little better. We're not talking about full on graphic design where you bring in fake skies, different backgrounds, etc...because that's not photography, that's just graphic design. Many times I'm asked where I get my backgrounds. I NEVER use backgrounds in my imagery, truthfully I take a lot of time to make the NATURAL background look great and shoot it properly. For that reason I'm sharing this image from a wedding I shot in Maui, HI in January 2011.

In order to make this image the way I wanted it I had to make sure to shoot it at the right time of day, use the sun the naturally light the bride, and remove any debris from around the bride. I hate spending extra time in PS cloning out things I naturally should have taken care of BEFORE I took the shot. Do I use photoshop to fix acne for example on a brides face that will be the cover of the album? Of course I do. But that's something that's unavoidable. My biggest point in writing this is that photoshop needs to be saved for the unavoidable things, and that any thing a photographer can do before taking the shot is their responsibility to get right.

Any questions please let me know!

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Sydney Opera House Breakdown "Cinderella"- this is an image of a wedding I shot in Sydney Australia in May 2009 that I get a lot questions about so I thought I would do something a little different and show a before and after. At a recent wedding one of my photographers asked me if I had the "guts" to show a picture before it was photoshopped. I love "dares" and I thought for this picture it would be instructional so I'm showing the before and after so you can see the difference.


I always tell my photogs that good images can't be made great, only great images can be made a little better. In this day and age of photoshop SO many photographers make the mistake of saying, "Oh well, I'll fix it in photoshop." When I first started I was very dumb and said the same thing. If you want to become a great photographer than you need to hone your skills and not use PS as a crutch. It's a great tool but you have to get the shooting part right. Become a professional photographer than a professional editor, THEN you are DANGEROUS. Enough with my rant.


I used a tripod to capture this image, my video guy to shine light on the bride and groom, put a video light next to her shoe to illuminate it, cropped the image a little, used some dodge and burn, and blurred the sky some. Settings: Nikon D3, shutter 1/80 at f/1.8, ISO 6400, 20mm. Hope this is helpful!

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Photography Workshop in Shreveport, Louisiana


I am pleased to announce that we have scheduled another "Learn to Take Better Pictures" workshop in Shreveport Louisiana on April 9, 2011. Photography workshops are such an important part to learning photography as they present an opportunity to learn inside and outside of the classroom. I have tried to fashion my workshops from what I think will be of greatest benefit to my students. I base the itinerary, topics, and the way I present the information from the many workshops I have attended, trying to take out all the things that I didn't find very helpful, and amping up the things that I found to be awesome.

One thing is for sure. My workshops are fun, I allow lots of questions, and I focus on making it very real and tangible. I don't give out information that I don't think will be very helpful. I also don't have a problem sharing what I know because I believe that there are so many clients out there, and so many weddings to shoot that there is no reason to be guarded with what I know.

Perhaps the best thing about the workshop is the fact that we do a hands-on photoshoot. Many times I've been on workshops where there is a model and you kind of stand there and just watch what the instructor is doing. During my workshops I go to great lengths to explain what I am doing. I give opportunities to those that want it to practice on the models and I give tips that will help that photographer to improve their technique.

Come to have fun, come with a lot of questions, and learn to improve your skills! If you're interested in a workshop in your area please email me at jason@jlpros.com and we can come to your area next!!

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Great Alaskan Adventure Day Four

Our Great Alaskan Adventure continued as we picked up our camp at Savage River and left the campground and headed back to Riley Creek to pack up on supplies as we would be without utilities etc. for three days once we started camping at Teklanika. The rule with Teklanika is that once you've passed from the paved area (you go through a Forest Ranger Checkpoint) you can't go back in. You have to have what's called a Tek Pass which is something you have to pay for and it's a three night minimum.

So on the road back to Riley Creek I stopped on the side of the road and captured this three shot panoramic called, "Road to Denali" that is just breathtaking. Once we had all our supplies and a hot shower we headed back up the road and towards Teklanika (Tek for short). The cool thing about having restricted access to Tek is that there are so few cars, mostly only a small amount of tour buses and other campers so the wildlife is more abundant and you are able to get out and take pictures as you'd like.

On one stop where I was taking pictures of a caribou the boys got out and were checking out their Denali Junior Forest Ranger Guide. The other funny thing is that the Caribou will just walk in the middle of the road as you can see below!

We got the Tek campground, found our spot and headed out to the Teklanika River which is a beautiful braided river alongside the campground. We took a nature walk (they warned of bears and wolves) and had an amazing time. Some of the boys decided to draw pictures as I took them while Kara was in a silly dancing kind of a mood. The other really cute thing was that we bought all the boys small digital cameras for the trip and I caught a picture of Michael taking a picture of me!

We headed back to the campground and at last fulfilled one of the boys biggest requests which was a good old fashioned campfire. We had dinner inside the RV earlier so the campfire was all about hot chocolate and roasting marshmallows over the campfire. My son Kevin then grabbed my camera and took some family pictures of us which was awesome. All in all a wonderful day in a truly amazing place. I don't think it got dark until close to midnight! If you haven't been to Alaska, you need to go!!






















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Wedding Photography Tips- #1 Finding the Right Photographer

Top ten tips for bettering your wedding photography experience

Tip #1- Finding the right photographer

Having shot weddings all over the world from Rancho Cucamonga, California to Sydney, Australia and a lot of places in between I have seen and experienced a lot. We have shot weddings that only included the bride and groom (no guests) to weddings well over 600 people. We’ve done weddings that lasted a total of only 30 minutes to weddings that have lasted three days. The advice I give below would apply to all the different wedding types that I’ve ever done. I publish this article that will be done in a 10-part series for the sake of all wedding brides and grooms out there in the hopes that it will improve their wedding photography experience.

Finding the right photographer- fall in love with the photographer, not their packages. While it’s undeniable that finding a photographer that fits your budget and gives you what you’re looking for in regards to deliverables is very important it’s not as important as finding a photographer that fits your style and passion. I always tell all of the brides and grooms that I meet in a photo consultation, “You only leave your wedding with two things, your spouse and your wedding photography. Make sure that you have made the right decision on both before saying, ‘I do.’”

Remember that hiring your wedding photographer isn’t the same as buying a car. You can’t sell it if it doesn’t work out to your satisfaction, there are no lemon laws, and you will not have multiple chances in your life to find the right wedding photography for you. Almost all of us have bought a car we regret buying. But after you’ve sold it and it’s gone it usually turns into a funny story of the “bad” car you bought once upon a time. Talk to any bride who’s hired a “bad” wedding photographer. There is no laughing, usually only tears. The moral of this story, take the time to find the right one for you.

Good photographers including us at Jason Lanier Photography do what we do because we truly love it. When we find clients that sincerely love our work we will almost do anything we can to be able to provide the opportunity to shoot their wedding. Flattery goes a long way and as long as we can make the numbers work for both of us, we will find a way to shoot your wedding.

I know I’ve found the right bride and groom when I ask them, “If we can make the financial part work, would you like us to shoot your wedding?” If the answer is, “Yes,” then I know that the vast majority of the time we will find a way to make it work for both of us.

Good photographers should also make sure they are a good match for the wedding couple as this will lead to a much more successful photography experience. I always tell my prospective clients, “You will spend more time with your wedding photographer than anyone else on your wedding day. So make sure you like them before signing on the dotted line.”

Last but not least is certainly the package portion of the conversation. Item #2 on the “Top Ten Tip for Bettering your Wedding Photography Experience,” will speak at length about packages and determining the deliverables that work for you. But the only thing I want to mention about the pricing and package portion in this article is that if your photographer is more concerned with how much money you have and hasn’t even asked you the name of your fiancé for example….you’ve found the wrong one. Photographers should be just as focused and dedicated to finding the right clients as all wedding couples should be at finding the right photographer.

While this advice might seem simple it is also unbelievably true. Being a wedding photographer I can’t help but use marriage metaphors when I speak and write. But finding the right photographer is truly like finding the right spouse. Once you’ve found each other you both know, and saying yes just seems so easy.

For any questions or comments please feel free to email me directly at Jason@jlpros.com.

Item #2- Understanding Wedding Photography Packages and finding what’s best for you will come out later on my blog in October 2010.

Sincerely,

Jason Lanier

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Join us for our Test Drive on October 30th at the Hotel Menage!!

Please join Jason Lanier Photography and a host of other wonderful wedding professionals for our Test Drive event on Saturday October 30th 2010 at the beautiful Hotel Menage in Anaheim California right next to Disneyland! Registration is FREE and is open to those couples looking for a wedding photographer for their big day.


Our Test Drive events are very popular and have filled up to capacity every time we have done one. So if you are interested please register now and don't delay. To learn more about our Test Drive events and the specials we are offering please visit our website dedicated specifically to these events by clicking below:


Hotel Menage

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Tony and Jen- Gershon Bachus Winery

Jason Lanier Photography is excited to release the wedding sneak peek of Tony and Jennifer married September 18, 2010 at the Gershon Bachus Winery in Temecula, California. The wedding was absolutely beautiful as these two tied the knot in front of friends and family with just perfect weather. The Gershon Bachus Winery is a gorgeous venue that offers amazing picture opportunities inside and out....they even allowed us to pick grapes from their vineyards for some cool pics! The wedding was shot by myself with my assistant Shannan Elliott. A musical slideshow presentation is at the bottom of this post!



























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Take a Test Drive Event with Jason Lanier Photography at the Fallbrook Hacienda!

I wanted to send a big "THANK YOU" to all the couples that showed up yesterday at our "Take a Test Drive" with Jason Lanier Photography at the Fallbrook Hacienda on September 11, 2010! We had a wonderful time shooting so many gorgeous couples who were all SO in love! We also ended up booking so many great weddings for next year and are so grateful to our couples for making the event such a success!

Our next Test Drive event is next Saturday September 18, 2010 at the Christmas House in Rancho Cucamonga. If you are an engaged couple looking for a photographer for your wedding and would like to "Test Drive" Jason Lanier Photography please contact us today!!!
Priscilla and Angel
Lindsay and Garrett
Korie and Levi
Patricia and Josh
Melissa and Josh
Deron and Sophia

Rodney and Jessica
Vanessa and Rodney

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Press Release- Take a Free Engagement "Test Drive" with Jason Lanier Photography today!



Choosing a photographer is a very challenging choice. Do they do good work? Are they nice? Are they a good match with me and my fiance? Are they professional? These are some of the questions brides and grooms ask themselves in bridal fairs, at home looking at photography websites on their computer, or when meeting with a photographer. It's hard to choose, especially when there are so many choices and photography is a substantial investment.

Jason Lanier Photography is proud to announce our new "Take a Test Drive with Jason Lanier Photography" program. Launched in September 2010, the "Take a Test Drive" program allows our potential clients the opportunity to meet us and have a 20-minute engagement session with us.....for FREE! During these events the couples also have the opportunity to take advantage of Jason Lanier Photography discounts and specials up to 30% off that are only offered on the day of the event.

Couples who attend the event also are afforded the ability to book their wedding date for only 10% of the package price. We also accept credit cards and offer 4-step payment plans making it easy for our clients to manage their finances before a wedding which we know can be tough.

How does it work? We schedule the "Take a Test Drive" events on certain weekend days at venues throughout the year. During the event we will have several Jason Lanier photographers shooting from our company, each couple receiving their own shoot and photographer. Each couple is scheduled for a 30-minute time slot, 20 minutes for shooting and 10 minutes to review our specials and ask us any questions they have.

After the shoot the images are uploaded to Pictage where each couple has their own gallery to view the images. Couples who book with us on the day of the event receive ALL the images from the shoot, whereas couples who choose not to book with us will receive 5 images from the shoot.

Frequently Asked Questions:

*Is this program open to everyone? Yes and no. We offer this for couples who are sincerely looking for a photographer. Please don't book a time slot if you already have a photographer or are not getting married.

*Do I HAVE to buy anything? No, each couple receives 5 high resolution images from the shoot regardless of whether or not they buy anything from us.

*What's the catch? This seems too good to be true. There is no catch, we simply feel that you will book us after you have had the opportunity to work with us....it's that simple!

*Can I do a "Test Drive" on another date if I'm not available for the day of the event? Yes, but only on a date for another "Test Drive" event. We cannot provide this service on a one-on-one basis. If you would like to do our standard 2-hour engagement shoot we would need to book you for that separately. If you aren't available on the event date don't worry, we usually schedule one per month.

*Do I have a license to use the images from the shoot, are they high resolution? Yes, you have a license to print, copy, and share the images from the shoot that you receive, and they are high resolution.

*Are the specials available after the event? What if I need time to decide but I'm not ready to make a decision on the day of the event? We will provide a list of specials to each of the couples that are scheduled for the upcoming "Test Drive" event BEFORE the event so they know the prices and the specials that we offer on the day of the event. This is kind of like the specials available to customers the day after Thanksgiving...they are only available during the day of the event. Clients do however have the option to call us and book the specials after they leave as long as they do it on the date of the event.

*Will you still like me if I don't book you guys? We don't get this question a lot because we book so many of the couples that come. But for those that decide to not book we give a sincere hug and thank them for coming....no hard feelings at all!

For more information please visit our website at www.jasonlanierproductions.com or call us at 213-494-7744.

We look forward to you taking us on a "Test Drive" soon!!!!

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