- Find a way to stabilize your camera (tripod is the best option....but it's also a lightning rod)! You can either be a little crazy like me and assume that when it's your time to die it's going to happen no matter what, or you can set it on a tripod, turn on your self-timer or intervalometer and reduce your chances of getting hit by lightning by walking away from your camera.
- Set your exposure for when the lightning hits, otherwise when it does hit your shots will be severely overexposed if you are exposing for the night sky without taking into account the immense amount of light the lightning shines into the sky. You will have to experiment for probably 10 minutes in shooting to get this right. How do you do it? You mount your camera, open the shutter up for at least 4 seconds and wait for lightning to hit in the frame of your shot during the shutter being open for 4 seconds. Start adjusting your settings to get the right exposure.
- SLIGHTLY underexpose the image. It's much easier to raise the exposure in Lightroom, Aperture, etc. than it is to try and fix an overexposed shot. PLUS, when you do get that shot where there is a lot of lightning you run the risk of overexposing that shot if you aren't slightly underexposing. 1 or 2 stops under should do the trick.
- Manual Focus- don't even try auto focus for these shots. You will miss it every time because the camera will have try to focus each and every time you press the trigger. And the worst part is it won't be able to focus because you are pointing at a big dark sky. What you need to do is auto focus your lens on something else around you (like the light from a lightpole), then change your focus to manual on your camera. No light poles around you? Use your car lights, flashlight, anything to shine light on an object that's not too close to you to be able to get your focus correct.
- Aperture- don't go with a wide aperture, it will be even more difficult to focus and there is a large chance that elements in your image will be out of focus as a result. If you leave your shutter open long enough you won't need a wide aperture.
- Wide lens- use a wide lens if possible. For the shots I took this evening I used a Nikkor 24mm lens. For a few shots I used a Nikkor 50mm but didn't use it for very long. Why? Because a wide lens is much better to create a bigger "canvas" for God to paint with lightning. Simply put, you have a much better chance capturing lightning with a wider lens.
- Low(er) ISO- I shoot with the D3 which is famous for it's amazing ISO sensitivity. Despite that when I shoot lightning I really don't need a high ISO because I am using the long shutter (usually 5 seconds or more) to allow the amount of light I need in. I lower the aperture because I know with night shots I want as little noise as possible in the shot for post processing purposes. Using a D3, a low aperture for me is anything under 2000. For other cameras I highly recommend keeping it under 1000.
- Patience- you might get lucky and get the shot of the century after 15 minutes....chances are you won't. That is due in large part because you are at the mercy of where the lightning strikes, fortunate that your shutter is open when it strikes, and it takes time to get your settings correct to account for a subject matter (lightning bolts) that aren't in the frame when you are making your settings.
- Find a way to stabilize your camera (tripod is the best option....but it's also a lightning rod)! You can either be a little crazy like me and assume that when it's your time to die it's going to happen no matter what, or you can set it on a tripod, turn on your self-timer or intervalometer and reduce your chances of getting hit by lightning by walking away from your camera.
- Set your exposure for when the lightning hits, otherwise when it does hit your shots will be severely overexposed if you are exposing for the night sky without taking into account the immense amount of light the lightning shines into the sky. You will have to experiment for probably 10 minutes in shooting to get this right. How do you do it? You mount your camera, open the shutter up for at least 4 seconds and wait for lightning to hit in the frame of your shot during the shutter being open for 4 seconds. Start adjusting your settings to get the right exposure.
- SLIGHTLY underexpose the image. It's much easier to raise the exposure in Lightroom, Aperture, etc. than it is to try and fix an overexposed shot. PLUS, when you do get that shot where there is a lot of lightning you run the risk of overexposing that shot if you aren't slightly underexposing. 1 or 2 stops under should do the trick.
- Manual Focus- don't even try auto focus for these shots. You will miss it every time because the camera will have try to focus each and every time you press the trigger. And the worst part is it won't be able to focus because you are pointing at a big dark sky. What you need to do is auto focus your lens on something else around you (like the light from a lightpole), then change your focus to manual on your camera. No light poles around you? Use your car lights, flashlight, anything to shine light on an object that's not too close to you to be able to get your focus correct.
I often get asked, "So, you don't do any wedding photojournalism, do you?" I always chuckle a little at this question but I understand why people ask me. They see my photography and assume it's all posing, grand landscapes, etc. My response is always very simple, "Of course I do wedding photojournalistic photography, in fact 80% of the images from my weddings are photojournalistic."
- Do you want group photos?
- Do you want photos of you two looking at the camera?
- Do you want pictures in front of anything in particular?
- Do you want to make sure I get shots of you WITH anyone in particular?
I always tell my clients that they spend SO much time planning, preparing, spending, stressing, and finally getting married that it's my job to make sure I capture all of that so they will never forget it. I was married almost 11 years ago to the most amazing woman in the world. I have a pretty good memory but I can honestly tell you I can't remember the food served (I think it was Mexican food or something), I can remember about 3 of the songs the DJ played, and the decorations are a total blur.
New Workshop Announcement- Saturday April 23, 2011 in Pensacola, Florida! We are very excited to announce our newest workshop coming up in three months in beautiful Pensacola, FL where I have shot many weddings and have some truly great friends. Our workshop will be from 10am-2pm, 2 hours in the classroom and 2 hours on a model shoot where we can put our newly acquired tools to test.
Cost of the workshop is $100 per attendee and can be paid via debit/credit card and also by check. There are two things I can guarantee you from our workshops...you will leave with knowledge you didn't have before that you can use in your shooting, and you will have a ton of FUN! To register send an email to info@jlpros.com!
Sydney Opera House Breakdown "Cinderella"- this is an image of a wedding I shot in Sydney Australia in May 2009 that I get a lot questions about so I thought I would do something a little different and show a before and after. At a recent wedding one of my photographers asked me if I had the "guts" to show a picture before it was photoshopped. I love "dares" and I thought for this picture it would be instructional so I'm showing the before and after so you can see the difference.
I always tell my photogs that good images can't be made great, only great images can be made a little better. In this day and age of photoshop SO many photographers make the mistake of saying, "Oh well, I'll fix it in photoshop." When I first started I was very dumb and said the same thing. If you want to become a great photographer than you need to hone your skills and not use PS as a crutch. It's a great tool but you have to get the shooting part right. Become a professional photographer than a professional editor, THEN you are DANGEROUS. Enough with my rant.
I used a tripod to capture this image, my video guy to shine light on the bride and groom, put a video light next to her shoe to illuminate it, cropped the image a little, used some dodge and burn, and blurred the sky some. Settings: Nikon D3, shutter 1/80 at f/1.8, ISO 6400, 20mm. Hope this is helpful!
I am pleased to announce that we have scheduled another "Learn to Take Better Pictures" workshop in Shreveport Louisiana on April 9, 2011. Photography workshops are such an important part to learning photography as they present an opportunity to learn inside and outside of the classroom. I have tried to fashion my workshops from what I think will be of greatest benefit to my students. I base the itinerary, topics, and the way I present the information from the many workshops I have attended, trying to take out all the things that I didn't find very helpful, and amping up the things that I found to be awesome.
Top ten tips for bettering your wedding photography experience
Tip #1- Finding the right photographer
Having shot weddings all over the world from Rancho Cucamonga, California to Sydney, Australia and a lot of places in between I have seen and experienced a lot. We have shot weddings that only included the bride and groom (no guests) to weddings well over 600 people. We’ve done weddings that lasted a total of only 30 minutes to weddings that have lasted three days. The advice I give below would apply to all the different wedding types that I’ve ever done. I publish this article that will be done in a 10-part series for the sake of all wedding brides and grooms out there in the hopes that it will improve their wedding photography experience.
Finding the right photographer- fall in love with the photographer, not their packages. While it’s undeniable that finding a photographer that fits your budget and gives you what you’re looking for in regards to deliverables is very important it’s not as important as finding a photographer that fits your style and passion. I always tell all of the brides and grooms that I meet in a photo consultation, “You only leave your wedding with two things, your spouse and your wedding photography. Make sure that you have made the right decision on both before saying, ‘I do.’”
Remember that hiring your wedding photographer isn’t the same as buying a car. You can’t sell it if it doesn’t work out to your satisfaction, there are no lemon laws, and you will not have multiple chances in your life to find the right wedding photography for you. Almost all of us have bought a car we regret buying. But after you’ve sold it and it’s gone it usually turns into a funny story of the “bad” car you bought once upon a time. Talk to any bride who’s hired a “bad” wedding photographer. There is no laughing, usually only tears. The moral of this story, take the time to find the right one for you.
Good photographers including us at Jason Lanier Photography do what we do because we truly love it. When we find clients that sincerely love our work we will almost do anything we can to be able to provide the opportunity to shoot their wedding. Flattery goes a long way and as long as we can make the numbers work for both of us, we will find a way to shoot your wedding.
I know I’ve found the right bride and groom when I ask them, “If we can make the financial part work, would you like us to shoot your wedding?” If the answer is, “Yes,” then I know that the vast majority of the time we will find a way to make it work for both of us.
Good photographers should also make sure they are a good match for the wedding couple as this will lead to a much more successful photography experience. I always tell my prospective clients, “You will spend more time with your wedding photographer than anyone else on your wedding day. So make sure you like them before signing on the dotted line.”
Last but not least is certainly the package portion of the conversation. Item #2 on the “Top Ten Tip for Bettering your Wedding Photography Experience,” will speak at length about packages and determining the deliverables that work for you. But the only thing I want to mention about the pricing and package portion in this article is that if your photographer is more concerned with how much money you have and hasn’t even asked you the name of your fiancé for example….you’ve found the wrong one. Photographers should be just as focused and dedicated to finding the right clients as all wedding couples should be at finding the right photographer.
While this advice might seem simple it is also unbelievably true. Being a wedding photographer I can’t help but use marriage metaphors when I speak and write. But finding the right photographer is truly like finding the right spouse. Once you’ve found each other you both know, and saying yes just seems so easy.
For any questions or comments please feel free to email me directly at Jason@jlpros.com.
Item #2- Understanding Wedding Photography Packages and finding what’s best for you will come out later on my blog in October 2010.
Sincerely,
Jason Lanier